Museums, sexuality, and gender activism
Museums, Sexuality, and Gender Activism examines the role of exhibitionary institutions in representing LGBTQ+ people, cisgender women, and nonbinary individuals. Considering recent gender and sexuality-related developments through a critical lens, the volume contributes significantly to the growing...
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| Other Authors: | , |
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| Format: | Electronic Book |
| Language: | English |
| Published: |
London :
Routledge,
2020
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| Series: | Museum meanings
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| 260 | |a London : |b Routledge, |c 2020 | ||
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| 490 | 1 | |a Museum meanings | |
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a PART I: Frameworks -- 1. Introduction: Museums, Sexuality, and Gender Activism -- 2. Chicana Feminism, Anzalduian Borderland Practices, and Critiques of Museology -- 3. Warning! Heteronormativity: A Question of Ethics -- PART II: Dismantling the Master's House? -- A. Major Institutions -- 4. Sex and Sensitivities: Exhibiting and Interpreting Shunga at the British Museum -- 5. Activists on the Inside: The Victoria and Albert Museum LGBTQ Working Group -- 6. Remolding the Museum: In Residence at the V & A -- B. Alternate Spaces -- 7. Pop-Up or Permanent? The Case of the Mardi Gras Museum -- 8. Emptied, Displaced, Assimilated: Spatial Politics of Gender in Ankara Ulucanlar Prison Museum -- 9. Death of a Museum Foretold? On Sexual Display in the Time of AIDS in India -- 10. Lost Objects and Missing Histories: HIV/AIDS in the Netherlands -- PART III: Bodies in the Museum? -- A. Indigenous Bodies -- 11. Kent Monkman's Shame and Prejudice: Artist Curation as Queer Decolonial Museum Practice -- 12. All that Moves Us: Bodies in Land -- B. Bodies of Ambiguity -- 13. The Future of Museological Display: Chitra Ganesh's Speculative Encounters -- 14. Nonbinary Difference: Dionysus, Arianna, and the Fictive Arts of Museum Photography -- PART IV: Acts of Resistance -- A. Unruly Women -- 15. The Absent History of Female Volunteers at the Art Gallery of Toronto -- 16. From Handmade Underwear to the Labor Movement: Women's History at Digital Museum -- 17. Recording Change: Collecting the Irish Abortion Rights Referendum, 2018 -- B. Problematic Narratives -- 18. Never Going Underground: Community Coproduction and the Story of LGBTQ+ Rights -- 19. Curating Gertrude Stein: Identity Politics in the Exhibition Catalogue -- 20. "A Battlefield All Their Own": Selling Women's Fictions as Fact at Plantation Museums -- PART V: Thinking Outside the Binary Box -- 21. On Gender Fluidity and Photgraphic Portraiture -- 22. Never a Small Project: Welcoming Transgender Communities into the Museum -- 23. "A Museum Can Never Be Queer Enough": The Van Abbemuseum as a Testing Ground for Institutional Queering -- 24. Conclusion | |
| 520 | |a Museums, Sexuality, and Gender Activism examines the role of exhibitionary institutions in representing LGBTQ+ people, cisgender women, and nonbinary individuals. Considering recent gender and sexuality-related developments through a critical lens, the volume contributes significantly to the growing body of activist writing on this topic. Building on Gender, Sexuality and Museums and featuring work from established voices, as well as newcomers, this volume offers risky and exciting articles from around the world. Chapters cover diverse topics, including transgender representation, erasure, and activism; two-spirit people, indigeneity, and museums; third genders; gender and sexuality in heritage sites and historic homes; temporary exhibitions on gender and sexuality; museum representations of HIV/AIDS; interventions to increase queer visibility and inclusion in galleries; LGBTQ+ staff alliances; and museums, gender ambiguity, and the disruption of binaries. Several chapters focus on areas outside the US and Europe, while others explore central topics through the perspectives of racial and ethnic minorities. Containing contributions that engage in sustained critique of current policies, theory, and practice, Museums, Sexuality, and Gender Activism is essential reading for those studying museums, women and gender, sexuality, culture, history, heritage, art, media, and anthropology. The book will also spark interest among museum practitioners, public archivists, and scholars researching related topics | ||
| 545 | 0 | |a Joshua G. Adair is an associate professor of English at Murray State University, where he also serves as coordinator of Gender & Diversity Studies. Adair's work, whether in literary, historical, or museum studies, examines the ways we narrate - and silence - gender and sexuality; it has appeared in over fifty scholarly and creative nonfiction journals. Amy K. Levin served as Director of Women's Studies, Coordinator of Museum Studies, and Chair of English at Northern Illinois University for twenty-one years before beginning a new career as an independent scholar in 2016. Most recently, she was a visiting professor in Public History at the University of Amsterdam in fall 2017 | |
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