The Edinburgh companion to literature and sound studies /

The Edinburgh companion to literature and sound studies /

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This field-defining collection maps key intersections between sound studies and literary studiesProvides a unique focus on literary applications of sound studies researchFeatures a wide range of international, emergent and established scholarsInterdisciplinary work throughoutConsiders a broad range...

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Bibliographic Details
Corporate Author: JSTOR (Organization)
Other Authors: Groth, Helen (Editor, http://id.loc.gov/vocabulary/relators/edt), Murphet, Julian (Editor, http://id.loc.gov/vocabulary/relators/edt)
Format: Book
Language:English
Published: Edinburgh : Edinburgh University Press, [2024]
Series:Edinburgh companions to literature and the humanities
Subjects:
Sound in literature
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
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Table of Contents:
  • Frontmatter
  • Contents
  • Figures
  • Introduction
  • Part I: Literature, Listening, Sounding
  • 1 The Sound a Sentence Makes: On Poetry, Judgement, and Hearing
  • 2 The Limits of Listening: Riotous Women, Imperial Structures, and Sonic Archives
  • 3 PIANO/Forte: Writing Audible Space, Jane Austen, Dorothy Richardson, and Others
  • 4 Oralities, Literacies, and the Xenophobic Fallacy
  • Part II: Literature, Music, Performance
  • 5 Notes to Literature: Scores as Musical Reproduction in the Literary Text
  • 6 Sound Agonistes: Music and the Economy of Sacrifice in Sound Studies
  • 7 Shakespeare's Vibrant Theatres
  • 8 'Imaginative and musical mixtures of sounds': Rap, Patter, and Hyper Diction in Musical Theatre
  • Part III: Literature, Voice, Acousmatics
  • 9 'Let it resound': 'Lift Every Voice and Sing' as Sonic Witness
  • 10 Sound Media, Race, and Voice
  • 11 The Acousmatics of Prison Writing
  • 12 Aural Anxiety and Rurality in Women's Second World War Writing
  • Part IV: Literature, Media, Coded Sound
  • 13 Sound Technology and US Fiction in the Postwar Era: The Ethics and Aesthetics of Cross-Racial Listening
  • 14 Coded Sound: Reading in the Age of Networked Media
  • 15 Media Affordances of Literary Audio: Interrelations of Format and Form
  • 16 OH-EE-OH-EE-OH-EE-AW-EE-AW!: Sound Descriptors in the Books of Tarzan as Facilitators of Presence
  • Part V: Literature, War, Industry
  • 17 An Auditory History of Early Modernity: Listening to Enlightenment and Industry in Britain, 1700-1900
  • 18 'This is/not was': The Violence of Circulation and the Sonics of Submerged Language
  • 19 Shriek and Hum: Industrial Noise and Productivity
  • 20 A Critical Poetics of Warfare
  • 21 The Great War: Sonic Fragments in Literature and Sound Studies
  • Part VI: Literature, Sonic Epistemology, Language
  • 22 Sonic Epistemologies
  • 23 The Cultural Poetics of a Buoyancy Sound from Amazonian Ecuador
  • 24 Havoc Ornithologies
  • Notes on Contributors
  • Index
  • Frontmatter
  • Contents
  • Figures
  • Introduction
  • Part I: Literature, Listening, Sounding
  • 1 The Sound a Sentence Makes: On Poetry, Judgement, and Hearing
  • 2 The Limits of Listening: Riotous Women, Imperial Structures, and Sonic Archives
  • 3 PIANO/Forte: Writing Audible Space, Jane Austen, Dorothy Richardson, and Others
  • 4 Oralities, Literacies, and the Xenophobic Fallacy
  • Part II: Literature, Music, Performance
  • 5 Notes to Literature: Scores as Musical Reproduction in the Literary Text
  • 6 Sound Agonistes: Music and the Economy of Sacrifice in Sound Studies
  • 7 Shakespeare’s Vibrant Theatres
  • 8 ‘Imaginative and musical mixtures of sounds’: Rap, Patter, and Hyper Diction in Musical Theatre
  • Part III: Literature, Voice, Acousmatics
  • 9 ‘Let it resound’: ‘Lift Every Voice and Sing’ as Sonic Witness
  • 10 Sound Media, Race, and Voice
  • 11 The Acousmatics of Prison Writing
  • 12 Aural Anxiety and Rurality in Women’s Second World War Writing
  • Part IV: Literature, Media, Coded Sound
  • 13 Sound Technology and US Fiction in the Postwar Era: The Ethics and Aesthetics of Cross-Racial Listening
  • 14 Coded Sound: Reading in the Age of Networked Media
  • 15 Media Affordances of Literary Audio: Interrelations of Format and Form
  • 16 OH-EE-OH-EE-OH-EE-AW-EE-AW!: Sound Descriptors in the Books of Tarzan as Facilitators of Presence
  • Part V: Literature, War, Industry
  • 17 An Auditory History of Early Modernity: Listening to Enlightenment and Industry in Britain, 1700–1900
  • 18 ‘This is/not was’: The Violence of Circulation and the Sonics of Submerged Language
  • 19 Shriek and Hum: Industrial Noise and Productivity
  • 20 A Critical Poetics of Warfare
  • 21 The Great War: Sonic Fragments in Literature and Sound Studies
  • Part VI: Literature, Sonic Epistemology, Language
  • 22 Sonic Epistemologies
  • 23 The Cultural Poetics of a Buoyancy Sound from Amazonian Ecuador
  • 24 Havoc Ornithologies
  • Notes on Contributors
  • Index

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