Visual political communication in popular Chinese television series /

Television drama series are today the most popular format on Chinese TV. The fact that these series largely portray nationalist stories of glorious emperors and courageous officials leaves the impression that they must be propaganda, designed by the Communist Party. This volume challenges such assum...

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Bibliographic Details
Main Authors: Schneider, Florian, Schneider, Florian, 1947-, Schneider, Florian, 1977-
Other Authors: Dudbridge, Glen, Pieke, Frank N
Format: Book
Language:English
Chinese
Published: Leiden ; Boston : Brill, 2012
Leiden ; Boston : c2012
Leiden ; Boston : 2012
Series:China Studies
China Studies
China studies (Leiden, Netherlands) ; v. 22
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245 1 0 |a Visual political communication in popular Chinese television series /   |c by Florian Schneider 
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264 1 |a Leiden ;  |a Boston :  |b Brill,  |c 2012 
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490 0 |a China studies,  |x 1570-1344 ;  |v v. 22 
490 1 |a China Studies 
490 1 |a China studies ;  |v vol. 22 
500 |a Description based on print version record 
504 |a Includes bibliographical references (p. [229]-241) and index 
504 |a Includes bibliographical references and index 
505 0 |a Chapter One: Introduction: Cultural Governance and Chinese TV Drama Series -- Chapter Two: The State and its Officials in TV Dramas -- Chapter Three: Securing the State: Law Enforcement and Military Action -- Chapter Four: Justifying the State: Political Legitimacy and Accountability -- Chapter Five: Creating the Political Discourses of TV Dramas -- Chapter Six: The Chinese Television Drama Audience -- Chapter Seven: Government Regulations and Censorship Mechanisms -- Chapter Eight: Chinese Perceptions of Television's Function and Influence -- Chapter Nine: Conclusion: Chinese TV Discourses and the Factors of their Production 
506 |a Available to subscribing member institutions only 
506 |a License restrictions may limit access 
520 8 |a Television drama series are today the most popular format on Chinese TV. The fact that these series largely portray nationalist stories of glorious emperors and courageous officials leaves the impression that they must be propaganda, designed by the Communist Party. This volume challenges such assumptions and shows how TV drama production is a complex process of cultural governance that is not dominated by one particular actor, but characterized by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. By examining political discourses in Chinese drama series and analyzing the factors leading to their creation, this book explains why Chinese TV content relies so heavily on didactical messages and emotional symbols, and argues that such content risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate 
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700 1 |a Pieke, Frank N 
776 0 8 |i Print version:  |a Schneider, Florian  |t Visual political communication in popular Chinese television series.  |d Leiden ; Boston : Brill, 2012   |z 9789004221482  |w (DLC) 2012016721  |w (OCoLC)785504529 
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776 0 8 |i Print version:  |a Schneider, Florian  |t Visual political communication in popular Chinese television series.  |d Leiden ; Brill, c2012.  |z 9789004221482  |z 9004221484  |z 9004221492  |w (DLC) 2012016721 
776 0 8 |i Print version:  |a Schneider, Florian, 1977-  |t Visual political communication in popular Chinese television series  |d Leiden ; Boston : Brill, 2012  |z 9789004221482  |z 9789004221499  |w (DLC) 2012016721 
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