Frankie Manning : ambassador of Lindy hop /
Millman and Manning trace the evolution of swing dancing from its early days in Harlem through the post-World War II period, until it was eclipsed by rock Un' roll and then disco. When swing made a comeback, Manning's 30-year hiatus ended
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| Format: | Book |
| Language: | English |
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Philadelphia :
Temple University Press,
2007
Philadelphia : 2007 |
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| 100 | 1 | |a Manning, Frankie |0 http://viaf.org/viaf/31291358 | |
| 100 | 1 | |a Manning, Frankie |1 http://viaf.org/viaf/31291358 | |
| 100 | 1 | |a Manning, Frankie | |
| 245 | 1 | 0 | |a Frankie Manning : |b ambassador of Lindy hop / |c Frankie Manning and Cynthia R. Millman |
| 260 | |a Philadelphia : |b Temple University Press, |c 2007 | ||
| 264 | 1 | |a Philadelphia : |b Temple University Press, |c 2007 | |
| 300 | |a 286 p. : |b ill. ; |c 24 cm | ||
| 300 | |a 286 p., [24] p. of plates : |b ill. ; |c 25 cm | ||
| 300 | |a 286 pages, 24 unnumbered pages of plates : |b illustrations ; |c 25 cm | ||
| 300 | |a 286 pages, [24] pages of plates : |b illustrations ; |c 25 cm | ||
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| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Filmography: p. 255-256 | ||
| 504 | |a Includes bibliographical references (p. 273-277) and index | ||
| 504 | |a Includes bibliographical references (pages 273-277) and index | ||
| 505 | 0 | |a Jazz baby -- Early ballroom forays -- To the Savoy at last -- Whitey, Shorty, and Stretch -- Win win -- Up in the air she goes -- Going pro -- Big time at the Cotton Club -- A big apple for Whitey -- On Broadway and in the movies -- Down Rio way -- Dancer interrupted -- The congaroo dancers and a day job -- Revival | |
| 505 | 0 | |a Jazz baby -- Early ballroom forays -- To the Savoy at last -- Whitey, shorty, and stretch -- Win win -- Up in the air she goes -- Going pro -- Big time at the Cotton Club -- A big apple for Whitey -- On broadway and in the movies -- Stranded in Rio -- Dancer interrupted -- The congaroo dancers and a day job -- Revival | |
| 520 | |a Millman and Manning trace the evolution of swing dancing from its early days in Harlem through the post-World War II period, until it was eclipsed by rock Un' roll and then disco. When swing made a comeback, Manning's 30-year hiatus ended | ||
| 520 | |a "In the early days of swing dancing, Frankie Manning stood out for his moves and his innovative routines; he created the "air step" in the Lindy hop, a dance that took the U.S. and then the world by storm. In this autobiography, the choreographer and Tony Award winner (Black and Blue) Frankie Manning recalls how his first years of dancing as a teenager at Harlem's Savoy Ballroom led to his becoming chief choreographer and a lead dancer for "Whitey's Lindy Hoppers," a group that appeared on Broadway, in Hollywood musicals, and on stages around the globe. Manning brings the Swing Era vividly back to life with his recollections of the crowded ballrooms, and of Lindy hoppers trying to outdo each other in spectacular performances. His memories of the many headliners and film stars, as well as uncelebrated dancers with whom he shared the stage, create a unique portrait of an era in which African American performers enjoyed the spotlight, if not a star's prerogatives and salary." "With co-author Cynthia R. Millman, Manning traces the evolution of swing dancing from its emergence in Harlem through the post-World War II period, until it was eclipsed first by rock and roll and then disco. When swing made a comeback, Manning's 30-year hiatus ended. He has been performing, choreographing, and teaching ever since."--Jacket | ||
| 520 | 1 | |a "In the early days of swing dancing, Frankie Manning stood out for his moves and his innovative routines; he created the "air step" in the Lindy hop, a dance that took the U.S. and then the world by storm. In this autobiography, the choreographer and Tony Award winner (Black and Blue) Frankie Manning recalls how his first years of dancing as a teenager at Harlem's Savoy Ballroom led to his becoming chief choreographer and a lead dancer for "Whitey's Lindy Hoppers," a group that appeared on Broadway, in Hollywood musicals, and on stages around the globe. Manning brings the Swing Era vividly back to life with his recollections of the crowded ballrooms, and of Lindy hoppers trying to outdo each other in spectacular performances. His memories of the many headliners and film stars, as well as uncelebrated dancers with whom he shared the stage, create a unique portrait of an era in which African American performers enjoyed the spotlight, if not a star's prerogatives and salary." "With co-author Cynthia R. Millman, Manning traces the evolution of swing dancing from its emergence in Harlem through the post-World War II period, until it was eclipsed first by rock and roll and then disco. When swing made a comeback, Manning's 30-year hiatus ended. He has been performing, choreographing, and teaching ever since."--BOOK JACKET | |
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