The Mainz diary: 1437-1440, in which new light is shed upon the cradle days of the art and mystery of printing

The Mainz diary: 1437-1440, in which new light is shed upon the cradle days of the art and mystery of printing

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Bibliographic Details
Main Authors:	Rushmore, Arthur W, Rushmore, Arthur W., 1883-1955 (Editor)
Corporate Authors:	Golden Hind Press (Madison, N.J.), Golden hind press, Madison, N. J. (Printer), Haddon Craftsmen, Inc (Printer), Jean-François Vilain and Roger S. Wieck Collection of Private Presses, Ephemera, & Related References (University of Pennsylvania), Ray Nash Book Collection
Other Authors:	Bachaus, Albert (Translator), Dwiggins, W. A (William Addison), 1880-1956 (author of foreward.)
Format:	Book
Language:	English German
Published:	Madison, N. J. : The Golden hind press, 1940 Madison, N. J., Golden Hind Press, 1940 Madison, N.J. : 1940 Madison, N.J. : M cm xl [1940]
Series:	Lester Douglas collection of works designed and printed by the Golden Hind Press, Overbrook Press, Elmer Adler, Walter D. Teague, Thomas M. Cleland, Ellsworth Geist, and Clarence P. Horning ; no. 8
Subjects:	Gutenberg, Johann, > 1397?-1468 > Fiction Printing > History > Celebrations of invention Printing > History > Origin and antecedents > Fiction Printing > Origin and antecedents > Fiction CHR 1940 PRO Clauss, Eugene A., 1870- (bookplate) (inscription) (Kislak copy) PRO Gutenberg Research Center (stamp) (Vilain-Wieck Collection copy) PRO Lerner, Abe (bookplate) (Vilain-Wieck Collection copy) PRO Rushmore, Arthur (bookplate) (Vilain-Wieck Collection copy) PRO Rushmore, Arthur W., 1883-1955 (autograph) (Kislak copy) PRO Rushmore, Edna (bookplate) (Vilain-Wieck Collection copy) PRO Traister, Daniel (donor) (RBC copy) PRO Vilain, Jean-François, 1942- (donor) (Vilain-Wieck Collection copy) PRO Wieck, Roger S. (donor) (Vilain-Wieck Collection copy) Arak Ash (Paper) Fiction Private press books (Printing) Typefaces (Type evidence) > Original Oldstyle Italic Typefaces (Type evidence) > Weiss Antiqua
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Table of Contents:

Chapter one tells how we happened to be in Wiesbaden in '31 and the way the diary came into our possession
Chapter two deals with the diaries and casts a new and surprising light on the birth of a great invention