Shape of light : 100 years of photography and abstract art /
The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London's Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the...
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| Format: | Book |
| Language: | English |
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New York, NY :
D.A.P/Distributed Art Publishers, Inc.,
2018
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| 245 | 0 | 0 | |a Shape of light : |b 100 years of photography and abstract art / |c edited by Simon Baker and Emmanuelle de l'Ecotais with Shoair Mavlian ; with contributions by Sarah Allen [and four others] |
| 246 | 3 | |a One hundred years of photography and abstract art | |
| 246 | 3 | 0 | |a 100 years of photography and abstract art |
| 264 | 1 | |a New York, NY : |b D.A.P/Distributed Art Publishers, Inc., |c 2018 | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 224 pages : |b illustrations (some color) ; |c 23 cm | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Artists include: Carl Andre ; Jean Arp ; Lewis Baltz ; Jared Bark ; Geraldo de Barros ; Hannes Beckmann ; Mel Bochner ; Guy Bourdin ; Margaret Bourke-White ; Constantin Brancusi ; Bill Brandt ; Georges Braque ; Brassaï ; Manuel Alvarez Bravo ; Francis Bruguière ; Harry Callahan ; Antony Cairns ; Alvin Langdon Coburn ; Pierre Cordier ; Imogen Cunningham ; Jay DeFeo ; Liz Deschenes ; Inge Dick ; John Divola ; Theo van Doesburg ; Stan Douglas ; Pierre Dubreuil ; Thomas Farkas ; Emeric Feher ; Hans Finsler ; Jaromir Funke ; Gaspar Gasparian ; Paul Graham ; Raymond Hains ; Fritz Henle ; John Hilliard ; Kira Hiromu ; Marta Hoepffner ; Yasuhiro Ishimoto ; Gottfried Jäger ; Lotte Jacobi ; Hanaya Kanbee ; Wassily Kandinsky ; Judith Karasz ; Barbara Kasten ; Peter Keetman ; Ellsworth Kelly ; György Kepes ; André Kertész ; William Klein ; Běla Kolářová ; Germaine Krull ; Luisa Lambri ; Nathan Lerner ; Wyndham Lewis ; El Lissitzky ; German Lorca ; Luo Bonian ; Sameer Makarius ; Man Ray ; Ira Martin ; Joan Miró ; László Moholy-Nagy ; Piet Mondrian ; Floris Neusüss ; Roger Parry ; Paulo Pires ; Sigmar Polke ; Jackson Pollock ; Albert Renger-Patzsch ; Gerhard Richter ; Bridget Riley ; Maya Rochat ; Aleksandr Rodchenko ; Alison Rossiter ; Jaroslav Rossler ; Thomas Ruff ; Edward Ruscha ; Christian Schad ; Bronislaw Schlabs ; Arthur Siegel ; Aaron Siskind ; Frederick Sommer ; Edward Steichen ; Otto Steinert ; Alfred Stieglitz ; Paul Strand ; Josef Sudek ; Tato (Gugliemo Sansoni) ; Wolfgang Tillmans ; Raoul Ubac ; Luigi Veronesi ; Jacques Mahé de la Villeglé ; Alexandre Vitkine ; Monika Von Boch ; Andreas Walser ; James Welling ; Brett Weston ; Edward Weston ; Minor White ; José Yalenti ; Kansuke Yamamoto ; Iwao Yamawaki ; Daisuke Yokota ; Willy Zielke | ||
| 500 | |a Exhibition dates on the Tate Modern website: 2 May-14 October 2018 | ||
| 500 | |a Published on the occasion of the exhibition of the same name held at Tate Modern, London, May 2-October 14, 2018 | ||
| 500 | |a Published on the occasion of the exhibition of the same name held at Tate Modern, London, May 3-September 16, 2018 | ||
| 504 | |a Includes bibliographical references (pages 216-217) and index | ||
| 505 | 0 | 0 | |a note: |t 1910-1940 -- |t In Search of a New Reality / |r Emmanuelle de I'Ecotais -- |t 1940-1960 -- |t Photography's Sense of Abstraction / |r Simon Baker -- |t 1960-1980 -- |t Control, Order and Disorder / |r Shoair Mavlian -- |t 1980-now -- |t Surfaces and Impressions / |r Emma Lewis |
| 505 | 0 | 0 | |t 1910-1940: in search of a new reality / |r Emmanuelle de l'Ecotais -- |t 1940-1960: photography's sense of abstraction / |r Simon Baker -- |t 1960-1980: control, order and disorder / |r Shoair Mavlian -- |t 1980-now: surfaces and impressions / |r Emma Lewis |
| 520 | 8 | |a The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London's Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the story of photography and its relationship with abstraction from around 1915 to the present day, and will include historic works in a variety of media from painting and sculpture to montage and kinetic installations. Beginning with the works of cubism and vorticism, the catalogue then highlights the key contributions of Bauhaus, constructivist and surrealist artists of the 1920's and 1930's. It then moves into the 'subjective photography' of the 1940's and 1950's, exploring the global scope of this movement through works by artists from Latin America and Asia, before considering the impacts of photography of abstract expressionism, op art and minimalism in Europe and the US. Bringing together iconic as well as rarely seen works, Photography and Abstract Art explores the development of photography in relation to abstract art, tracing the key moments of innovation in new techniques and practice | |
| 520 | 8 | |a The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London's Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the story of photography and its relationship with abstraction from around 1915 to the present day, and will include historic works in a variety of media from painting and sculpture to montage and kinetic installations. Beginning with the works of cubism and vorticism, the catalogue then highlights the key contributions of Bauhaus, constructivist and surrealist artists of the 1920's and 1930's. It then moves into the `subjective photography' of the 1940's and 1950's, exploring the global scope of this movement through works by artists from Latin America and Asia, before considering the impacts of photography of abstract expressionism, op art and minimalism in Europe and the US.0Bringing together iconic as well as rarely seen works, Photography and Abstract Art explores the development of photography in relation to abstract art, tracing the key moments of innovation in new techniques and practice | |
| 590 | |a Acquired for the Penn Libraries with assistance from the Class of 1891 Department of Arts Fund | ||
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| 650 | 0 | |a Photography, Abstract |v Exhibitions | |
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| 650 | 6 | |a Photographie abstraite |v Expositions | |
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| 650 | 7 | |a Art and photography |2 fast | |
| 650 | 7 | |a Art, Abstract |2 fast |0 http://id.worldcat.org/fast/815850 | |
| 650 | 7 | |a Art, Abstract |2 fast | |
| 650 | 7 | |a Art, Abstract |x Exhibitions |2 fast | |
| 650 | 7 | |a Photography, Abstract |2 fast |0 http://id.worldcat.org/fast/1061962 | |
| 650 | 7 | |a Photography, Abstract |2 fast | |
| 655 | 7 | |a Catalogues d'exposition |2 rvmgf | |
| 655 | 7 | |a Exhibition catalogs |2 fast |0 http://id.worldcat.org/fast/1424028 | |
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| 700 | 1 | |a Allen, Sarah |c (Curator) |e contributor | |
| 700 | 1 | |a Allen, Sarah |c (Curator), |e contributor |0 http://viaf.org/viaf/60153288271832651515 | |
| 700 | 1 | |a Allen, Sarah |c (Curator), |e contributor |4 http://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Allen, Sarah |c (Curator), |e contributor | |
| 700 | 1 | |a Baker, Simon, |d 1972- |e editor |0 http://viaf.org/viaf/100999650 | |
| 700 | 1 | |a Baker, Simon, |d 1972- |e editor |4 http://id.loc.gov/vocabulary/relators/edt | |
| 700 | 1 | |a Baker, Simon, |d 1972- |e editor | |
| 700 | 1 | |a L'Ecotais, Emmanuelle de, |e editor |0 http://viaf.org/viaf/12449043 | |
| 700 | 1 | |a L'Ecotais, Emmanuelle de, |e editor |4 http://id.loc.gov/vocabulary/relators/edt | |
| 700 | 1 | |a L'Ecotais, Emmanuelle de, |e editor | |
| 700 | 1 | |a Lewis, Emma |c (Writer on photography) |e contributor | |
| 700 | 1 | |a Lewis, Emma |c (Writer on photography), |e contributor |0 http://viaf.org/viaf/112151594451005351204 | |
| 700 | 1 | |a Mavlian, Shoair, |e editor |0 http://viaf.org/viaf/313270424 | |
| 700 | 1 | |a Mavlian, Shoair, |e editor |4 http://id.loc.gov/vocabulary/relators/edt | |
| 700 | 1 | |a Mavlian, Shoair, |e editor | |
| 710 | 2 | |a Class of 1891 Department of Arts Fund |5 PU | |
| 710 | 2 | |a Tate Modern (Gallery) |e host institution |0 http://viaf.org/viaf/158340263 | |
| 710 | 2 | |a Tate Modern (Gallery), |e host institution |4 http://id.loc.gov/vocabulary/relators/his | |
| 710 | 2 | |a Tate Modern (Gallery), |e host institution | |
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