Sinister histories : Gothic novels and representations of the past, from Horace Walpole to Mary Wollstonecraft /

Showing how the Gothic can be read as a complex reaction to Enlightenment methods of historical representation, Sinister histories uncovers hitherto neglected relationships between Gothic texts and prominent works of eighteenth-century history

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Bibliographic Details
Main Authors: Dent, Jonathan (Lecturer in English) (Author), Dent, Jonathan (Author, http://id.loc.gov/vocabulary/relators/aut)
Format: Book
Language:English
Published: Manchester : Manchester University Press, 2016
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245 1 0 |a Sinister histories :  |b Gothic novels and representations of the past, from Horace Walpole to Mary Wollstonecraft /  |c Jonathan Dent 
246 3 0 |a Gothic novels and representations of the past, from Horace Walpole to Mary Wollstonecraft 
264 1 |a Manchester :  |b Manchester University Press,  |c 2016 
264 4 |c ©2016 
300 |a 272 pages ;  |c 23 cm 
300 |a [ix], 272 pages ;  |c 23 cm 
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504 |a Includes bibliographical references (pages 254-266) and index 
504 |a Includes bibliographical references and index 
505 0 |a Introduction: history and the Gothic in the eighteenth century -- Contested pasts: David Hume, Horace Walpole and the emergence of Gothic fiction -- '[B]ringing this deed of darkness to light': representations of the past in Clara Reeve's The Old English Baron (1778) -- 'Entombed alive': Sophia Lee's The Recess (1783-85), the Gothic and history -- '[E]very nerve thrilled with horror': the French Revolution, the past and Ann Radcliffe's The Romance of the Forest (1791) -- 'Things as they are': William Godwin, Mary Wollstonecraft and the perils of the present 
505 0 0 |a note:  |g 1  |t Contested pasts: David Hume, Horace Walpole and the emergence of Gothic fiction --  |g 2.  |t `[B]ringing this deed of darkness to light': representations of the past in Clara Reeve's The Old English Baron (1778) --  |g 3.  |t `Entombed alive': Sophia Lee's The Recess (1783--85), the Gothic and history --  |g 4.  |t `[E]very nerve thrilled with horror': the French Revolution, the past and Ann Radcliffe's The Romance of the Forest (1791) --  |g 5.  |t `Things as they are': William Godwin, Mary Wollstonecraft and the perils of the present. 
520 |a Showing how the Gothic can be read as a complex reaction to Enlightenment methods of historical representation, Sinister histories uncovers hitherto neglected relationships between Gothic texts and prominent works of eighteenth-century history 
650 0 |a Gothic fiction (Literary genre)  |x History and criticism 
650 0 |a Gothic fiction (Literary genre), English  |x History and criticism 
650 0 |a History in literature 
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650 7 |a Gothic fiction (Literary genre), English  |2 fast 
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