Staging scripture : biblical drama, 1350-1600 /

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Bibliographic Details
Corporate Authors: Horace Howard Furness Memorial Fund, Horace Howard Furness Memorial Library (University of Pennsylvania)
Other Authors: Happé, Peter (Editor), Happé, Peter (Editor), Happé, Peter (Editor), Hüsken, Wim N. M. (Editor), Hüsken, Wim N. M (Editor), Hüsken, Wim N. M. (Editor), Hüsken, Wim N. M. (Editor)
Format: Book
Language:English
Published: Boston : Brill-Rodopi, 2016
Leiden : Brill/Rodopi, 2016
Leiden ; Boston : Brill Rodopi, [2016]
Series:Ludus ; 14
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Table of Contents:
  • Chapter 1; Performing the Scriptures: Biblical Drama after the Reformation; Sarah Carpenter; Chapter 2; Blurred Lines? Religion, Reform, and Reformation in Sir David Lyndsay's Ane Satyre of the Thrie Estaitis; Greg Walker; Chapter 3; Play Titles without Play Texts: What Can They Tell Us, and How? An Investigation of the Evidence for the Beverley Corpus Christi Play; Diana Wyatt; Chapter 4; The Bible and the Towneley Plays of Isaac and Iacob; Philip Butterworth; Chapter 5; The Norwich Grocers' Play(s) (1533, 1565): Development and Changes in the Representation of Man's FallRoberta Mullini; Chapter 6; Preaching Penance on the Stage in Late Medieval England: The Case of John the Baptist; Charlotte Steenbrugge; Chapter 7; "Have here a Drink full good": A Comparative Analysis of Staging Temptation in the Newcastle Noah Play; Katie Normington; Chapter 8; Dramatizing the Resurrection; Peter Happé; Chapter 9; Seeing and Recognizing in the Sacred and New: The Latin Scriptural Plays of Nicholas Grimald; Elisabeth Dutton and Stephanie Allen; Chapter 10; Staging and Liturgy in The Croxton Play of the SacramentDavid Bevington; Chapter 11; Herod's Reputation and the Killing of the Children: Some Theatrical Consequences; Bob Godfrey; Chapter 12; Passion Play: Staging York's The Conspiracy and Christ before Annas and Caiaphas; Philip Crispin; Chapter 13; "Alle out of hir self": Mary, Effective Piety and the N-Town Crucifixion; James McBain; Chapter 14; Memory and Remembering: Sacred History and the York Plays; Clifford Davidson; Chapter 15; Audience Responses and the York Corpus Christi Play; Margaret Rogerson; Chapter 16; "Be ye thus trowing": Medieval Drama and Make-Belief, Garrett P.J. Epp.;