Becoming Mary Sully : toward an American Indian abstract /
"Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America's first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Sta...
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| Format: | Book |
| Language: | English |
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Seattle, WA :
University of Washington Press,
2019
Seattle : [2019] |
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| 100 | 1 | |a Deloria, Philip Joseph |e author |0 http://viaf.org/viaf/79160443 | |
| 100 | 1 | |a Deloria, Philip Joseph |e author | |
| 100 | 1 | |a Deloria, Philip Joseph | |
| 100 | 1 | |a Deloria, Philip Joseph, |e author |4 http://id.loc.gov/vocabulary/relators/aut | |
| 100 | 1 | |a Deloria, Philip Joseph, |e author | |
| 245 | 1 | 0 | |a Becoming Mary Sully : |b toward an American Indian abstract / |c Philip J. Deloria |
| 246 | 0 | 0 | |a Toward an American Indian abstract |
| 246 | 3 | 0 | |a Toward an American Indian abstract |
| 260 | |a Seattle, WA : |b University of Washington Press, |c 2019 | ||
| 264 | 1 | |a Seattle : |b University of Washington Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a xii, 324 pages : |b color illustrations ; |c 23 cm | ||
| 300 | |a xii, 324 pages : |b illustrations (chiefly color) ; |c 23 cm | ||
| 300 | |a xii, 324 pages : |b illustrations (chiefly color) ; |c 24 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Genealogies : sound from everywhere -- Histories : to wake up and live -- Reading Mary Sully. Interpretation : toward an American Indian abstract -- Contextualization : the impossible subject -- Realizing Mary Sully. Psychology and culture : the nature of the margin -- Politics and the edges : reading Indian history -- Conclusion : Luta and the Double Woman | |
| 505 | 0 | |a Introduction: Native to modernism -- Becoming Mary Sully. Genealogies : sound from everywhere -- Histories : to wake up and live -- Reading Mary Sully. Interpretation : toward an American Indian abstract -- Contextualization : the impossible subject -- Realizing Mary Sully. Psychology and culture : the nature of the margin -- Politics and the edges : reading Indian history -- Conclusion : Luta and the Double Woman | |
| 505 | 0 | 0 | |g Introduction: |t Native to modernism -- |t Becoming Mary Sully. Genealogies : sound from everywhere -- |t Histories : to wake up and live -- |t Reading Mary Sully. Interpretation : toward an American Indian abstract -- |t Contextualization : the impossible subject -- |t Realizing Mary Sully. Psychology and culture : the nature of the margin -- |t Politics and the edges : reading Indian history -- |g Conclusion : |t Luta and the Double Woman |
| 510 | 1 | |a Indexed in the Native American Artists Resource Collection Online, Billie Jane Baguley Library and Archives, Heard Museum, Phoenix, Arizona, at the artist name level (July 24, 2024) |u https://5019.sydneyplus.com/Heard_Museum_ArgusNET_Final/Portal.aspx | |
| 520 | |a "Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America's first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs, a series of "personality prints" of American public figures like Amelia Earhart, Babe Ruth, and Gertrude Stein." -- Provided by publisher | ||
| 520 | 8 | |a Dakota Sioux artist Mary Sully's "work was exhibited only a handful of times during her life. In Becoming Mary Sully, Philip J. Deloria reclaims that work from obscurity, exploring her stunning portfolio through the lenses of modernism, industrial design, Dakota women's aesthetics, mental health, ethnography and anthropology, primitivism, and the American Indian politics of the 1930s. Working in a complex territory oscillating between representation, symbolism, and abstraction, Sully evoked multiple and simultaneous perspectives of time and space. With an intimate yet sweeping style, Deloria recovers in Sully's work a move toward an anti-colonial aesthetic that claimed a critical role for Indigenous women in American Indian futures - within and distinct from American modernity and modernism." -- Publisher | |
| 541 | 0 | |c Purchase; |a Amazon; |d 1-2-2020; |h IRA Funds | |
| 590 | |a Indian Rights Association Complimentary Collection | ||
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| 650 | 0 | |a Indians of North America | |
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