The renaissance, English cultural nationalism, and modernism, 1860-1920 /
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Format: | Book |
Language: | English |
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New York, NY :
Palgrave Macmillan,
2009
New York, NY : 2009 |
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100 | 1 | |a Hinojosa, Lynne W., |d 1966- |1 http://viaf.org/viaf/29225594 | |
100 | 1 | |a Hinojosa, Lynne W., |d 1966- | |
245 | 1 | 4 | |a The renaissance, English cultural nationalism, and modernism, 1860-1920 / |c Lynne Walhout Hinojosa |
260 | |a New York, NY : |b Palgrave Macmillan, |c 2009 | ||
264 | 1 | |a New York, NY : |b Palgrave Macmillan, |c 2009 | |
300 | |a x, 246 p. ; |c 22 cm | ||
300 | |a x, 246 pages ; |c 22 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references (p. [229]-241) and index | ||
504 | |a Includes bibliographical references (pages [229]-241) and index | ||
505 | 0 | |a PART I: Classical Cultural History-Writing in England. Historical and contemporary contexts -- The Emergence of the Renaissance concept in Europe: The fifteenth through the mid-nineteenth century -- Classical cultural history and the periodization of the Renaissance: Ruskin and Burckhardt -- Renaissancism in England: Arnold, Symonds, Pater -- PART II: Renaissance Old Masters and Modernist Art History-Writing. The connoisseur and the spiritual history of art: Morelli and Berenson -- The modernist rejection of the renaissance: Fry, Bell, Hulme -- PART III: Shakespeare and National Cultural History-Writing. National cultural history in public spaces: the theater, the press, the Great War -- The writing of English literary history -- PART IV: The Modern Artist . Typology and the modern artist: Vasari, Burckhardt, Pound | |
505 | 0 | |a PART I: Classical Cultural History-Writing in England. Historical and contemporary contexts -- The Emergence of the Renaissance concept in Europe: The fifteenth through the mid-nineteenth century -- Classical cultural history and the periodization of the Renaissance: Ruskin and Burckhardt -- Renaissancism in England: Arnold, Symonds, Pater -- PART II: Renaissance Old Masters and Modernist Art History-Writing. The connoisseur and the spiritual history of art: Morelli and Berenson -- The modernist rejection of the renaissance: Fry, Bell, Hulme -- PART III: Shakespeare and National Cultural History-Writing. National cultural history in public spaces: the theater, the press, the Great War -- The writing of English literary history -- PART IV: The Modern Artist . Typology and the modern artist: Vasari, Burckhardt, Pound | |
505 | 0 | 0 | |g Pt. I |t Classical Cultural History-Writing in England -- |t Historical and Contemporary Contexts -- |t The Emergence of the Renaissance Concept in Europe: The Fifteenth through the Mid-Nineteenth Century -- |t Classical Cultural History and the Periodization of the Renaissance: Ruskin and Burckhardt -- |t Renaissancism in England: Arnold, Symonds, Pater -- |g Pt. II. |t Renaissance Old Masters and Modernist Art History-Writing -- |t The Connoisseur and the Spiritual History of Art: Morelli and Berenson -- |t The Modernist Rejection of the Renaissance: Fry, Bell, Hulme -- |g Pt. III. |t Shakespeare and National Cultural History-Writing -- |t National Cultural History in Public Spaces: The Theater, the Press, the Great War -- |t The Writing of English Literary History -- |g Pt. IV. |t The Modern Artist -- |t The Modern Artist as Historian, Courtier, and Saint: Pound, Burckhardt Vasari. |
505 | 0 | 0 | |g Pt. I |t Classical Cultural History-Writing in England -- |t Historical and Contemporary Contexts -- |t The Emergence of the Renaissance Concept in Europe: The Fifteenth through the Mid-Nineteenth Century -- |t Classical Cultural History and the Periodization of the Renaissance: Ruskin and Burckhardt -- |t Renaissancism in England: Arnold, Symonds, Pater -- |g Pt. II. |t Renaissance Old Masters and Modernist Art History-Writing -- |t The Connoisseur and the Spiritual History of Art: Morelli and Berenson -- |t The Modernist Rejection of the Renaissance: Fry, Bell, Hulme -- |g Pt. III. |t Shakespeare and National Cultural History-Writing -- |t National Cultural History in Public Spaces: The Theater, the Press, the Great War -- |t The Writing of English Literary History -- |g Pt. IV. |t The Modern Artist -- |t The Modern Artist as Historian, Courtier, and Saint: Pound, Burckhardt Vasari. |
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