The lost works of William Carlos Williams : the volumes of collected poetry as lyrical sequences /
In this book, Robert J. Cirasa contends that William Carlos Williams's The Collected Poems 1921-1931 and The Complete Collected Poems 1906-1938 are truly "lost" works of major accomplishment in the Williams canon
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Madison [N.J.] : London :
Fairleigh Dickinson University Press ; Associated University Presses,
[1995], ©1995
Madison [N.J.] : London : c1995 Madison [N.J.] : London : ©1995 Madison, [N.J.] : London : c1995 Rutherford [N.J.] : London : c1995 Rutherford [N.J.] : London : [1995] |
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| 100 | 1 | |a Cirasa, Robert J., |d 1950- |0 http://viaf.org/viaf/sourceID/LC|n94100802 | |
| 100 | 1 | |a Cirasa, Robert J., |d 1950- |1 http://viaf.org/viaf/22287430 | |
| 100 | 1 | |a Cirasa, Robert J., |d 1950- | |
| 245 | 1 | 4 | |a The lost works of William Carlos Williams : |b the volumes of collected poetry as lyrical sequences / |c Robert J. Cirasa |
| 260 | |a Madison [N.J.] : |b Fairleigh Dickinson University Press ; |a London : |b Associated University Presses, |c [1995], ©1995 | ||
| 260 | |a Madison [N.J.] : |b Fairleigh Dickinson University Press ; |a London : |b Associated University Presses, |c c1995 | ||
| 260 | |a Madison [N.J.] : |b Fairleigh Dickinson University Press ; |a London : |b Associated University Presses, |c ©1995 | ||
| 260 | |a Madison, [N.J.] : |b Fairleigh Dickinson University Press ; |a London : |b Associated University Presses, |c c1995 | ||
| 260 | |a Rutherford [N.J.] : |b Fairleigh Dickinson University Press ; |a London : |b Associated University Presses, |c c1995 | ||
| 263 | |a 9509 | ||
| 264 | 1 | |a Rutherford [N.J.] : |b Fairleigh Dickinson University Press ; |a London : |b Associated University Presses, |c [1995] | |
| 264 | 4 | |c ©1995 | |
| 300 | |a 342 p | ||
| 300 | |a 342 p. ; |c 24 cm | ||
| 300 | |a 342 p. ; |c 25 cm | ||
| 300 | |a 342 pages ; |c 24 cm | ||
| 300 | |a 342 pages ; |c 25 cm | ||
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| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. 334-335) and index | ||
| 504 | |a Includes bibliographical references (p. 334-335) and indexes | ||
| 504 | |a Includes bibliographical references (pages 334-335) and indexes | ||
| 504 | |a Includes bibliographical references and index | ||
| 504 | |a Includes bibliographical references and indexes | ||
| 505 | 0 | |a Introduction: "To Gain 'Profundity'" -- 1. A New Textual Order, a New Lyrical Focus -- 2. The Opening Sequence of "Poems" -- 3. Broadening the Scope, Entrenching the Feeling: "Primavera," "Spring and All," and "The Descent of Winter" -- 4. Retrenching Ambitions, Pacifying Feeling: "The Flower" and "(Prior to 1921)" -- 5. An Accomplished Book -- 6. "Completing" the Collected Poems -- 7. The Closing Sequence of "Longer Poems": Fixing the World's Modernity - and the Volume's Lyrical Dynamics -- 8. The Cruder Counterparts to "Longer Poems": "The Tempers," "Transitional," and "Al Que Quiere" -- 9. Toward a Greater Equivalence with "Longer Poems": "Sour Grapes," "Spring and All," and "The Descent of Winter" -- 10. A Better Record than "Longer Poems": "Collected Poems 1934," "An Early Martyr," "Adam & Eve and The City," and "Recent Verse" -- 11. "Much More to It Than I Thought Would Be Involved": Some Problems with the Texts -- 12. The Collected Earlier Poems: An Inferior Successor | |
| 505 | 0 | |a Introduction: "To Gain 'Profundity'" -- 1. A New Textual Order, a New Lyrical Focus -- 2. The Opening Sequence of "Poems" -- 3. Broadening the Scope, Entrenching the Feeling: "Primavera," "Spring and All," and "The Descent of Winter" -- 4. Retrenching Ambitions, Pacifying Feeling: "The Flower" and "(Prior to 1921)" -- 5. An Accomplished Book -- 6. "Completing" the Collected Poems -- 7. The Closing Sequence of "Longer Poems": Fixing the World's Modernity -- and the Volume's Lyrical Dynamics -- 8. The Cruder Counterparts to "Longer Poems": "The Tempers," "Transitional," and "Al Que Quiere" -- 9. Toward a Greater Equivalence with "Longer Poems": "Sour Grapes," "Spring and All," and "The Descent of Winter" -- 10. A Better Record than "Longer Poems": "Collected Poems 1934," "An Early Martyr," "Adam & Eve and The City," and "Recent Verse" -- 11. "Much More to It Than I Thought Would Be Involved": Some Problems with the Texts -- 12. The Collected Earlier Poems: An Inferior Successor | |
| 505 | 0 | 0 | |t Introduction: "To Gain 'Profundity'" -- |g 1 |t A New Textual Order, a New Lyrical Focus -- |g 2. |t The Opening Sequence of "Poems" -- |g 3. |t Broadening the Scope, Entrenching the Feeling: "Primavera," "Spring and All," and "The Descent of Winter" -- |g 4. |t Retrenching Ambitions, Pacifying Feeling: "The Flower" and "(Prior to 1921)" -- |g 5. |t An Accomplished Book -- |g 6. |t "Completing" the Collected Poems -- |g 7. |t The Closing Sequence of "Longer Poems": Fixing the World's Modernity - and the Volume's Lyrical Dynamics -- |g 8. |t The Cruder Counterparts to "Longer Poems": "The Tempers," "Transitional," and "Al Que Quiere" -- |g 9. |t Toward a Greater Equivalence with "Longer Poems": "Sour Grapes," "Spring and All," and "The Descent of Winter" -- |g 10. |t A Better Record than "Longer Poems": "Collected Poems 1934," "An Early Martyr," "Adam & Eve and The City," and "Recent Verse" -- |g 11. |t "Much More to It Than I Thought Would Be Involved": Some Problems with the Texts -- |g 12. |t The Collected Earlier Poems: An Inferior Successor -- |g 13. |t The Collected Later Poems: A More Uniform Record -- |t Conclusion: "They Say I'm Not Profound" -- |t Appendix A: Tables of Contents for the Volumes of Collected Poetry -- |t Appendix B: Short-Title Tables of the Sectional Arrangements for the Volumes -- |t Appendix C: Short-Title, Number-Referenced Tables of the Successive Arrangements for Individual Sections -- |t Index of Works by William Carlos Williams. |
| 505 | 0 | 0 | |t Introduction: "To Gain 'Profundity'" -- |g 1 |t A New Textual Order, a New Lyrical Focus -- |g 2. |t The Opening Sequence of "Poems" -- |g 3. |t Broadening the Scope, Entrenching the Feeling: "Primavera," "Spring and All," and "The Descent of Winter" -- |g 4. |t Retrenching Ambitions, Pacifying Feeling: "The Flower" and "(Prior to 1921)" -- |g 5. |t An Accomplished Book -- |g 6. |t "Completing" the Collected Poems -- |g 7. |t The Closing Sequence of "Longer Poems": Fixing the World's Modernity - and the Volume's Lyrical Dynamics -- |g 8. |t The Cruder Counterparts to "Longer Poems": "The Tempers," "Transitional," and "Al Que Quiere" -- |g 9. |t Toward a Greater Equivalence with "Longer Poems": "Sour Grapes," "Spring and All," and "The Descent of Winter" -- |g 10. |t A Better Record than "Longer Poems": "Collected Poems 1934," "An Early Martyr," "Adam & Eve and The City," and "Recent Verse" -- |g 11. |t "Much More to It Than I Thought Would Be Involved": Some Problems with the Texts -- |g 12. |t The Collected Earlier Poems: An Inferior Successor -- |
| 505 | 8 | |a 13. The Collected Later Poems: A More Uniform Record -- Conclusion: "They Say I'm Not Profound" -- Appendix A: Tables of Contents for the Volumes of Collected Poetry -- Appendix B: Short-Title Tables of the Sectional Arrangements for the Volumes -- Appendix C: Short-Title, Number-Referenced Tables of the Successive Arrangements for Individual Sections -- Index of Works by William Carlos Williams | |
| 505 | 8 | 0 | |g 13 |t The Collected Later Poems: A More Uniform Record -- |t Conclusion: "They Say I'm Not Profound" -- |t Appendix A: Tables of Contents for the Volumes of Collected Poetry -- |t Appendix B: Short-Title Tables of the Sectional Arrangements for the Volumes -- |t Appendix C: Short-Title, Number-Referenced Tables of the Successive Arrangements for Individual Sections -- |t Index of Works by William Carlos Williams. |
| 520 | |a In this book, Robert J. Cirasa contends that William Carlos Williams's The Collected Poems 1921-1931 and The Complete Collected Poems 1906-1938 are truly "lost" works of major accomplishment in the Williams canon | ||
| 520 | |a In this book, Robert J. Cirasa contends that William Carlos Williams's The Collected Poems 1921-1931 and The Complete Collected Poems 1906-1938 are truly "lost" works of major accomplishment in the Williams canon. In each, Williams took as the basic element, or constituent sections, of these two large-scale literary structures the tacit lyrical sequences that had constituted his originally separate volumes of verse, also added new groupings as he made changes to the old, and fashioned them all into a unique series of lyrical sequence (a lyrical super-sequence) that gave unified lyrical definition and compelling lyrical immediacy to the whole of his poetic development. Together, the two works stand equal to Paterson in belying the still occasionally expressed view of Williams as primarily a miniaturist | ||
| 520 | 8 | |a In each, Williams took as the basic element, or constituent sections, of these two large-scale literary structures the tacit lyrical sequences that had constituted his originally separate volumes of verse, also added new groupings as he made changes to the old, and fashioned them all into a unique series of lyrical sequence (a lyrical super-sequence) that gave unified lyrical definition and compelling lyrical immediacy to the whole of his poetic development | |
| 520 | 8 | |a Together, the two works stand equal to Paterson in belying the still occasionally expressed view of Williams as primarily a miniaturist | |
| 596 | |a 1 | ||
| 600 | 1 | 0 | |a Williams, William Carlos, |d 1883-1963 |c Criticism and interpretation |
| 600 | 1 | 0 | |a Williams, William Carlos, |d 1883-1963 |x Criticism and interpretation |0 http://viaf.org/viaf/sourceID/LC|n79060075 |
| 600 | 1 | 0 | |a Williams, William Carlos, |d 1883-1963 |x Criticism and interpretation |0 https://id.loc.gov/authorities/subjects/sh99005576 |
| 600 | 1 | 0 | |a Williams, William Carlos, |d 1883-1963 |x Criticism and interpretation |
| 600 | 1 | 0 | |a Williams, William Carlos, |d 1883-1963, |c Criticism and interpretation |? UNAUTHORIZED |
| 600 | 1 | 0 | |a Williams, William Carlos, |d 1883-1963, |c Criticism and interpretation |
| 600 | 1 | 7 | |a Williams, William Carlos, |d 1883-1963 |2 fast |1 http://viaf.org/viaf/29542054 |
| 600 | 1 | 7 | |a Williams, William Carlos, |d 1883-1963 |c Criticism and interpretation |2 fast/NIC/NAC |
| 650 | 0 | |a Cycles (Literature) | |
| 650 | 7 | |a Cycles (Literature) |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc |2 fast | |
| 655 | 7 | |a Cycles (Literature) |2 lcgft | |
| 700 | 1 | |a Williams, William Carlos, |d 1883-1963 |0 http://viaf.org/viaf/sourceID/LC|n79060075 | |
| 700 | 1 | |a Williams, William Carlos, |d 1883-1963 |1 http://viaf.org/viaf/29542054 | |
| 700 | 1 | |a Williams, William Carlos, |d 1883-1963 | |
| 776 | 0 | 8 | |i Online version: |a Cirasa, Robert J., 1950- |t Lost works of William Carlos Williams |d Madison [N.J.] : Fairleigh Dickinson University Press ; London : Associated University Presses, ©1995 |w (OCoLC)604745075 |
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