May her likes be multiplied : biography and gender politics in Egypt /

Marilyn Booth's elegantly conceived study reveals the Arabic tradition of life-writing in an entirely new light. In the late nineteenth century short sketches by and about women began to appear in biographical dictionaries and women's journals. By 1940, hundreds of such biographies had bee...

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Main Author: Booth, Marilyn
Format: Book
Language:English
Published: Berkeley : University of California Press, [2001], ©2001
Berkeley : c2001
Berkeley : ©2001
Berkeley, Calif. ; London : c2001
Berkeley : [2001]
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100 1 |a Booth, Marilyn 
245 1 0 |a May her likes be multiplied :  |b biography and gender politics in Egypt /  |c Marilyn Booth 
260 |a Berkeley :  |b University of California Press,  |c [2001], ©2001 
260 |a Berkeley :  |b University of California Press,  |c c2001 
260 |a Berkeley :  |b University of California Press,  |c ©2001 
260 |a Berkeley, Calif. ;  |a London :  |b University of California Press,  |c c2001 
264 1 |a Berkeley :  |b University of California Press,  |c [2001] 
264 4 |c ©2001 
300 |a xxxviii, 460 p. ;  |c 24 cm 
300 |a xxxviii, 460 pages ;  |c 24 cm 
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500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
504 |a Includes bibliographical references (p. 311-441) and index 
504 |a Includes bibliographical references (p. 427-441) and index 
504 |a Includes bibliographical references (pages 427-441) and index 
505 0 |a Scattered pearls and mistresses of seclusion: Zaynab Fawwāz, Arabic biographical writing, and a canon of female visibility -- Siting biograpHy: a politics of address -- Exemplar and exception: biography in the journal for women -- May our daughters listen: readers, writers, teachers -- Catherine the Great's embroidery and Maria Mitchell's stewpot: discursive domesticities -- Jeanne D'Arc, Egyptian nationalist: community, identity, and difference -- From sober to salacious: women's biography as spectacle -- Famous wombs and women's memories: gender nation and the life writing in today's Egypt 
505 0 |a Scattered pearls and mistresses of seclusion: Zaynab Fawwāz, Arabic biographical writing, and a canon of female visibility -- Siting biograpHy: a politics of address -- Exemplar and exception: biography in the journal for women -- May our daughters listen: readers, writers, teachers -- Catherine the Great's embroidery and Maria Mitchell's stewpot: discursive domesticities -- Jeanne D'Arc, Egyptian nationalist: community, identity, and difference -- From sober to salacious: women's biography as spectacle -- Famous wombs and women's memories: gender nation and the life writing in today's Egypt 
505 0 0 |g 1  |t Scattered Pearls and Mistresses of Seclusion: Zaynab Fawwaz, Arabic Biographical Writing, and A Canon of Female Visibility --  |g 2.  |t Siting Biography: A Politics of Address --  |g 3.  |t Exemplar and Exception: Biography in the Journal for Woman --  |g 4.  |t May our Daughters Listen: Readers, Writers, Teachers --  |g 5.  |t Catherine the Great's Embroidery and Maria Mitchell's Stewpot: Discursive Domesticities --  |g 6.  |t Jeanne D'arc, Egyptian Nationalist: Community, Identity, and Difference --  |g 7.  |t From Sober to Salacious: Women's Biography as Spectacle --  |g 8.  |t Famous Wombs and Women's Memories: Gender, Nation, and Life Writing in Today's Egypt. 
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520 |a Marilyn Booth's elegantly conceived study reveals the Arabic tradition of life-writing in an entirely new light. In the late nineteenth century short sketches by and about women began to appear in biographical dictionaries and women's journals. By 1940, hundreds of such biographies had been published, featuring Arabs, Turks, Indians, Europeans, North Americans, and ancient Greeks and Persians. Booth uses over five hundred "Famous Women" biographies -- which include subjects as diverse as Joan of Arc, Jane Austen, Aisha bt. Abi Bakr, Sarojini Naidu, and Lucy Stone -- to demonstrate how these narratives prescribe complex role models for middle-class girls 
520 |a Marilyn Booth's elegantly conceived study reveals the Arabic tradition of life-writing in an entirely new light. Though biography had long been male-authored, in the late nineteenth century short sketches by and about women began to appear in biographical dictionaries and women's journals. By 1940, hundreds of such biographies had been published, featuring Arabs, Turks, Indians, Europeans, North Americans, and ancient Greeks and Persians. Booth uses over five hundred "famous women" biographies--which include subjects as diverse as Joan of Arc, Jane Austen, Aisha bt. Abi Bakr, Sarojini Naidu, and Lucy Stone--to demonstrate how these narratives prescribed complex role models for middle-class girls, in a context where nationalist programs and emerging feminisms made defining the ideal female citizen an urgent matter. Booth begins by asking how cultural traditions shaped women's biography, and to whom the Egyptian biographies were directed. The biographies were published at a time of great cultural awakening in Egypt, when social and political institutions were in upheaval. The stories suggested that Islam could be flexible on social practice and gender, holding out the possibility for women to make their own lives. Yet ultimately they indicate that women would find it extremely difficult to escape the nationalist ideal: the nuclear family with "woman" at its center. This conflict remains central to Egyptian politics today, and in her final chapter Booth examines Islamic biographies of women's lives that have been published in more recent years 
520 8 |a Booth begins by asking how cultural traditions shaped women's biography, and to whom the Egyptian biographies were directed. The biographies were published at a time when Egyptian social and political institutions were in upheaval. The stories suggested that Islam could be flexible on social practice and gender, holding out the possibility for women to make their own lives. Yet ultimately they indicate that women would find it extremely difficult to escape the nationalist ideal: the nuclear family with "woman" at its center. This conflict remains central to Egyptian politics today, and in her final chapter Booth examines Islamic biographies of women's lives that have been published in more recent years 
650 0 |a Biography as a literary form 
650 0 |a Feminism  |z Egypt  |0 https://id.loc.gov/authorities/names/n80061791-781  |x History  |0 https://id.loc.gov/authorities/subjects/sh99005024 
650 0 |a Feminism  |z Egypt  |x History 
650 0 |a Women in politics  |z Egypt  |x History 
650 0 |a Women  |v Biography  |x History and criticism  |0 https://id.loc.gov/authorities/subjects/sh99001187 
650 0 |a Women  |v Biography  |x History and criticism 
650 0 |a Women  |x Biography  |x History and criticism 
650 0 |a Women  |x Political Activity  |z Egypt  |x History 
650 0 |a Women  |x Political activity  |z Egypt  |0 https://id.loc.gov/authorities/names/n80061791-781  |x History  |0 https://id.loc.gov/authorities/subjects/sh99005024 
650 0 |a Women  |x Political activity  |z Egypt  |x History 
650 7 |a Biography as a literary form  |2 fast 
650 7 |a Feminism  |2 fast 
650 7 |a History  |2 fast 
650 7 |a Women  |x Biography  |2 fast 
650 7 |a Women  |x Political activity  |2 fast 
651 7 |a Egypt  |2 fast 
655 7 |a Criticism, interpretation, etc  |2 fast 
655 7 |a History  |2 fast 
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