A theory of virtual agency for Western art music /
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional acti...
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| Format: | Book |
| Language: | English |
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Bloomington, Indiana :
Indiana University Press,
[ 2018]
Bloomington, Indiana : [2018] |
| Series: | Musical meaning and interpretation
Musical meaning and interpretation |
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| 245 | 1 | 2 | |a A theory of virtual agency for Western art music / |c Robert S. Hatten |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [ 2018] | |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
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| 490 | 1 | |a Musical meaning and interpretation | |
| 500 | |a Description based on print version record | ||
| 504 | |a Includes bibliographical references (pages 293-312) and indexes | ||
| 504 | |a Includes bibliographical references and indexes | ||
| 505 | 0 | |a Introduction -- Prelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52 -- Interlude II: hearing agency: a complex cognitive task -- Other perspectives on virtual agency -- Postlude | |
| 505 | 0 | |a Prelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52 -- Interlude II: hearing agency: a complex cognitive task -- Other perspectives on virtual agency -- Postlude | |
| 505 | 0 | |a Prelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopins Ballade in F minor, op. 52 -- Interlude II: hearing agency: a complex cognitive task -- Other perspectives on virtual agency -- Postlude | |
| 506 | |a Access restricted by licensing agreement | ||
| 506 | |a License restrictions may limit access | ||
| 520 | |a In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds | ||
| 533 | |a Electronic reproduction |b Ipswich, MA |n Available via World Wide Web | ||
| 588 | |a Description based on print version record | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on September 07, 2018) | |
| 590 | |a Access is available to the Yale community | ||
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| 776 | 0 | 8 | |i Print version: |a Hatten, Robert S., author |t A theory of virtual agency for Western art music |z 9780253037978 |z 9780253037985 |w (DLC) 2018021852 |
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