Meaning and interpretation of music in cinema /
By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in...
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| Format: | Book |
| Language: | English |
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Bloomington :
Indiana University Press,
[2015]
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| Series: | Musical meaning and interpretation
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| 100 | 1 | |a Neumeyer, David, |e author |1 http://viaf.org/viaf/71673731 | |
| 100 | 1 | |a Neumeyer, David, |e author | |
| 245 | 1 | 0 | |a Meaning and interpretation of music in cinema / |c David Neumeyer ; with contributions by James Buhler |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (336 pages) : |b illustrations | ||
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Musical Meaning and Interpretation | |
| 490 | 1 | |a Musical meaning and interpretation | |
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Meaning and interpretation. Music in the vococentric cinema; Tools for analysis and interpretation -- Music in the mix : Casablanca . Acoustic stylization : the film's sound world ; Music and utopia : a reading of the reunion scene -- The reunion scene's contexts -- Topics and tropes : two preludes by Bach. Performers onscreen ; Underscore : four studies of the C major prelude | |
| 506 | |a Access restricted by licensing agreement | ||
| 520 | |a By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film | ||
| 546 | |a English | ||
| 588 | |a Description based on print version record | ||
| 588 | 0 | |a Print version record | |
| 590 | |a Access is available to the Yale community | ||
| 650 | 0 | |a Motion picture music |x Analysis, appreciation | |
| 650 | 0 | |a Motion picture music |x History and criticism | |
| 650 | 7 | |a Filmmusik |2 gnd | |
| 650 | 7 | |a Filmmusik |2 sfit | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory |2 bisacsh | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 650 | 7 | |a Motion picture music |x Analysis, appreciation |2 fast | |
| 650 | 7 | |a Motion picture music |x Analysis, appreciation |2 fast | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism |2 bisacsh | |
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| 700 | 1 | |a Buhler, James, |d 1964- |e contributor | |
| 700 | 1 | |a Buhler, James, |d 1964- | |
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