Stefano Cerio : night games /
What happens in amusement parks when the lights go out? What happens at children's playgrounds at night? A desolate quiet takes over the spaces where, when the sun shines, children play and adults relax. With his latest photo series, Night Games, Stefano Cerio (*1962) does more than simply cont...
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Format: | Book |
Language: | English Italian |
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Berlin :
Hatje Cantz
c2017
Berlin : Hatje Cantz, [2017], ©2017 Berlin : Hatje Cantz Verlag GmbH, [2017] |
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260 | |a Berlin : |b Hatje Cantz |c c2017 | ||
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264 | 1 | |a Berlin : |b Hatje Cantz Verlag GmbH, |c [2017] | |
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300 | |a 127 pages : |b color illustrations ; |c 23 x 31 cm | ||
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500 | |a Catalog of an exhibition held at Galleria del Cembola, Rome, May 4-July 8, 2017 | ||
500 | |a Catalog of an exhibition held at Galleria del Cembola, Rome, May 5-July 8, 2017 | ||
504 | |a Includes bibliographical references | ||
520 | 8 | |a What happens in amusement parks when the lights go out? What happens at children's playgrounds at night? A desolate quiet takes over the spaces where, when the sun shines, children play and adults relax. With his latest photo series, Night Games, Stefano Cerio (*1962) does more than simply continue his 2015 series Chinese Fun. He links them both through a process used in 2011 while photographing his series Night Ski. With the absence of natural light during nighttime, he made a virtue out of necessity by employing artificial lighting. By doing so, he could achieve sculptural, even haptic qualities in his images. The results are uncanny, fascinating views of carnival rides, slides, and carousels that one usually never sees, although here, they are always close at hand. Exhibition: Galleria del Cembola, Rome, Italy (04.05. - 08.07.2017 | |
520 | 8 | |a What happens in amusement parks when the lights go out? What happens at children's playgrounds at night? A desolate quiet takes over the spaces where, when the sun shines, children play and adults relax. With his latest photo series, Night Games, Stefano Cerio (*1962) does more than simply continue his 2015 series Chinese Fun. He links them both through a process used in 2011 while photographing his series Night Ski. With the absence of natural light during nighttime, he made a virtue out of necessity by employing artificial lighting. By doing so, he could achieve sculptural, even haptic qualities in his images. The results are uncanny, fascinating views of carnival rides, slides, and carousels that one usually never sees, although here, they are always close at hand. Exhibition: Galleria del Cembola, Rome, Italy (04.05. - 08.07.2017) | |
546 | |a Text in English and Italian | ||
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