Inwardness and theater in the English Renaissance /

Acknowledgments1: Introduction: Inwardness and Spectatorship2: Machiavels and Family Men3: Heretical Conscience and Theatrical Rhetoric: The Case of Christopher Marlowe4: Proof and Consequences: Othello and the Crime of Intention5: Prosecution and Sexual Secrecy: Jonson and Shakespeare6: A Womb of H...

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Bibliographic Details
Main Author:	Maus, Katharine Eisaman, 1955-
Corporate Author:	Horace Howard Furness Memorial Library (University of Pennsylvania)
Format:	Book
Language:	English
Published:	Chicago : University of Chicago Press, 1995 Chicago : c1995 Chicago, IL : 1995 Chicago : 1995
Subjects:	Shakespeare, William, > 1564-1616 > Philosophy Shakespeare, William, > 1564-1616 > Philosophie Shakespeare, William, > 1564-1616 1500 - 1700 1500-1699 16th century 17th century Early modern and Elizabethan, 1500-1600 Geschichte 1550-1650 Appearance (Philosophy) in literature Body and soul in literature English drama > 17th century > History and criticism English drama > Early modern and Elizabethan, 1500-1600 > History and criticism English drama > Early modern, 1500-1700 > History and criticism Intentionality (Philosophy) in literature > UNAUTHORIZED Intentionality (Philosophy) in literature Intentionality (Philosophy) Mind and body in literature Reality in literature Renaissance > England Theater > England > History > 16th century Theater > England > History > 17th century Truth in literature Apparence (Philosophie) dans la littérature Esprit et corps dans la littérature Intentionnalité (Philosophie) dans la littérature Intentionnalité (Philosophie) Renaissance > Angleterre Réalité dans la littérature Théâtre anglais > 16e siècle > Histoire et critique Théâtre anglais > 17e siècle > Histoire et critique Théâtre > Angleterre > Histoire > 16e siècle Théâtre > Angleterre > Histoire > 17e siècle Vérité dans la littérature Drama Englisch English drama English drama > Early modern and Elizabethan History Philosophy Renaissance Renaissance > Great Britain Subjektivität Theater Theater > Great Britain > 16th century Theater > Great Britain > 17th century Wahrheit > Motiv England Criticism, interpretation, etc
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