The English radical imagination : culture, religion, and revolution, 1630-1660 /
This study addresses current critical assumptions about the nature of radical thought and expression during the English Revolution. Nicholas McDowell challenges the divide between "elite" and "popular" culture in the seventeenth century and argues that the radical writing of the...
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| Language: | English |
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Oxford : Oxford ; New York :
Clarendon Press ; Oxford University Press,
2003
Oxford : New York : 2003 |
| Series: | Oxford English monographs
Oxford English monographs |
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| 100 | 1 | |a McDowell, Nicholas, |d 1973- |0 http://viaf.org/viaf/5169361 | |
| 100 | 1 | |a McDowell, Nicholas, |d 1973- |1 http://viaf.org/viaf/5169361 | |
| 100 | 1 | |a McDowell, Nicholas, |d 1973- | |
| 245 | 1 | 4 | |a The English radical imagination : |b culture, religion, and revolution, 1630-1660 / |c Nicholas McDowell |
| 260 | |a Oxford : |b Clarendon Press ; |a Oxford ; |a New York : |b Oxford University Press, |c 2003 | ||
| 264 | 1 | |a Oxford : |b Clarendon Press ; |a New York : |b Oxford University Press, |c 2003 | |
| 300 | |a 219 p. ; |c 23 cm | ||
| 300 | |a 219 pages ; |c 22 cm | ||
| 300 | |a 219 pages ; |c 23 cm | ||
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| 500 | |a Based on author's thesis (D. Phil.)--University of Oxford, 2000 | ||
| 500 | |a Based on the author's thesis (D. Phil.)--University of Oxford, 2000 | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. [193]-211) and index | ||
| 504 | |a Includes bibliographical references (pages 193-211) and index | ||
| 504 | |a Includes bibliographical references (pages [193]-211) and index | ||
| 505 | 0 | |a 'Illiterate Mechanick persons': writing, radicalism, and the dominant culture -- 'Named and printed heretics': literacy, heterodoxy, and the cultural construction of identity -- Of language and flesh: power, pedagogy, and the intellectual origins of Leveller ideas -- 'In a lunatick moode': humanism, puritanism, and the rhetorical strategies of Ranter writing -- Washing in cabalinus' well: Quakerism, scepticism, and radical enlightenment | |
| 505 | 0 | 0 | |g 1 |t 'Illiterate Mechanick Persons': Writing, Radicalism, and the Dominant Culture -- |g 2. |t 'Named and Printed Heretics': Literacy, Heterodoxy, and the Cultural Construction of Identity -- |g 3. |t Of Language and Flesh: Power, Pedagogy, and the Intellectual Origins of Leveller Ideas -- |g 4. |t 'In a Lunatick Moode': Humanism, Puritanism, and the Rhetorical Strategies of Ranter Writing -- |g 5. |t Washing in Cabalinus' Well: Quakerism, Scepticism, and Radical Enlightenment -- |t Epilogue: Milton and the Radical Imagination. |
| 520 | |a This study addresses current critical assumptions about the nature of radical thought and expression during the English Revolution. Nicholas McDowell challenges the divide between "elite" and "popular" culture in the seventeenth century and argues that the radical writing of the English Revolution is a more complex literary phenomenon than has hitherto been supposed, lending substance to recent claims for its admission to the traditional literary canon | ||
| 520 | 1 | |a "The English Radical Imagination addresses current critical assumptions about the nature of radical thought and expression during the English Revolution. Through a combination of biographical and literary interpretation, it revises the representation of radical writers in this period as ignorant and uneducated 'tub preachers'. This representation has become a critical orthodoxy since Christopher Hill's seminal study, The World Turned Upside Down. Despite the reservations of so-called 'revisionist' historians about the misleading implications of Hill's work, cultural historians and literary critics have continued to view radical texts as authentic artefacts of a form of early modern popular culture." "Case studies of some of the most important and innovative radical writers show how these writers use their experience of an orthodox humanist education for the purposes of satire and ridicule and how they interpret texts associated with orthodox ideologies and cultural practices to produce heterodox arguments. Radical prose of the English Revolution thus emerges as a more complex literary phenomenon than has hitherto been supposed, lending substance to recent claims for its admission to the traditional literary canon."--BOOK JACKET | |
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