Photography at the dock : essays on photographic history, institutions, and practices /
"Abigail Solomon-Godeau has set as her task the examination of the politics of photographic criticism, history, and practice. Photography at the Dock is a revisionist approach to the history of photography, a critique of photographic modernism and the institutions promoting it, and a feminist e...
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| Format: | Book |
| Language: | English |
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Minneapolis :
University of Minnesota Press,
[1991], ©1991
Minneapolis : c1991 Minneapolis : ©1991 Minneapolis : c1991 Minneapolis : [1991] |
| Series: | Media & society ;
4 Media & society 4 Media & society Media & society ; 4 Media & society |
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| 100 | 1 | |a Solomon-Godeau, Abigail |0 http://viaf.org/viaf/64097513 | |
| 100 | 1 | |a Solomon-Godeau, Abigail | |
| 100 | 2 | |a Solomon-Godeau, Abigail | |
| 245 | 1 | 0 | |a Photography at the dock : |b essays on photographic history, institutions, and practices / |c Abigail Solomon-Godeau ; foreword by Linda Nochlin |
| 246 | 3 | 0 | |a Essays on photographic history, institutions, and practices |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c [1991], ©1991 | ||
| 260 | |a Minneapolis : |b University of Minnesota Press, |c c1991 | ||
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©1991 | ||
| 260 | 0 | |a Minneapolis : |b University of Minnesota Press, |c c1991 | |
| 263 | |a 9102 | ||
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c [1991] | |
| 264 | 4 | |c ©1991 | |
| 300 | |a xxxiv, 322 p. : |b ill. ; |c 26 cm | ||
| 300 | |a xxxiv, 322 p. : |b ill. ; |c 27 cm | ||
| 300 | |a xxxiv, 322 pages : |b illustrations ; |c 25 cm | ||
| 300 | |a xxxiv, 322 pages : |b illustrations ; |c 26 cm | ||
| 300 | |a xxxiv, 322 pages : |b illustrations ; |c 27 cm | ||
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| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |2 rdacarrier | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 440 | 0 | |a Media & society ; |v 4 | |
| 440 | 0 | |a Media & society |v 4 | |
| 440 | 0 | |a Media & society | |
| 490 | 1 | |a Media & society ; |v 4 | |
| 490 | 1 | |a Media & society |v 4 | |
| 490 | 1 | |a Media & society | |
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. 283-305) and index | ||
| 504 | |a Includes bibliographical references (p. 283-305) | ||
| 504 | |a Includes bibliographical references (pages 283-305) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a The Politics of Aestheticism. Calotypomania : the gourmet guide to nineteenth-century photography -- Canon fodder : authoring Eugène Atget -- The armed vision disarmed : radical formalism from weapon to style -- Photography and Postmodernism. Playing in the fields of the image -- Photography after art photography -- Living with contradictions : critical practices in the age of supply-side aesthetics -- Rethinking Documentary. A photographer in Jerusalem, 1855: Auguste Salzmann and his times -- Who is speaking thus? : Some questions about documentary photography -- Reconstructing documentary: Connie Hatch's representational resistance -- Photography and Sexual Difference. Reconsidering erotic photography : notes for a project of historical salvage -- Just like a woman -- Sexual difference : both sides of the camera | |
| 505 | 0 | |a The politics of aestheticism. Calotypomania: the gourmet guide to nineteenth-century photography -- Canon fodder: authoring Eugène Atget -- The armed vision disarmed: radical formalism from weapon to style -- Photography and postmodernism. Playing in the fields of the image -- Photography after art photography -- Living with contradictions: critical practices in the age of supply-side aesthetics -- Rethinking documentary. A photographer in Jerusalem, 1855: Auguste Salzmann and his times -- Who is speaking thus? Some questions about documentary photography -- Reconstructing documentary: Connie Hatch's representational resistance -- Photography and sexual difference. Reconsidering erotic photography: notes for a project of historical salvage -- Just like a woman -- Sexual difference: both sides of the camera | |
| 520 | |a "Abigail Solomon-Godeau has set as her task the examination of the politics of photographic criticism, history, and practice. Photography at the Dock is a revisionist approach to the history of photography, a critique of photographic modernism and the institutions promoting it, and a feminist exploration of the camera's role in producing (and reproducing) dominant social and sexual ideology."--Publisher description | ||
| 520 | |a "Abigail Solomon-Godeau has set as her task the examination of the politics of photographic criticism, history, and practice. Photography at the Dock is a revisionist approach to the history of photography, a critique of photographic modernism and the institutions promoting it, and a feminist exploration of the camera's role in producing (and reproducing) dominant social and sexual ideology"--Publisher description | ||
| 596 | |a 1 2 31 | ||
| 650 | 0 | |a Photography |x History | |
| 650 | 0 | |a Photography, Artistic | |
| 650 | 7 | |a Fotografie |2 gnd | |
| 650 | 7 | |a Photography, Artistic |2 fast | |
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| 653 | 0 | |a Photography, Artistic | |
| 655 | 4 | |a Aufsatzsammlung | |
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| 655 | 7 | |a Photography, Artistic |2 lcgft. | |
| 700 | 1 | |a Nochlin, Linda |e writer of foreword |0 http://viaf.org/viaf/40276354 | |
| 700 | 1 | |a Nochlin, Linda, |e writer of supplementary textual content | |
| 830 | 0 | |a Media & society ; |v 4 | |
| 830 | 0 | |a Media & society | |
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