Terror tracks : music, sound and horror cinema /
Commissioned and edited to appeal to a crossover Film and Music Studies readership, 'Terror Tracks' is an anthology that analyses the use of music and sound in the popular genre of Horror cinema
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London ; Oakville, CT :
Equinox,
2009
London ; Oakville, CT : 2009 |
| Series: | Genre, music and sound
|
| Subjects: | |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Psycho-analysis : form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki
- An audiovisual foreshadowing in Psycho / Scott Murphy
- Sound and music in Hammer's vampire films / Michael Hannan
- Creative soundtrack expression : Toro Takemitsu's score for Kwaidan / Kyoko Koizumi
- Prog rock, the horror film and sonic excess : Dario Argento, Morricone and Goblin / Tony Mitchell
- Inflamed : synthetic folk music and paganism in the island world of The wicker man / Jon Fitzgerald and Philip Hayward
- Rhythms of evil : exorcising sound from The exorcist / Mark Evans
- Texas chainsaws : audio effect and iconicity / Rebecca Coyle and Philip Hayward
- Incorporating monsters : music as context, character and construction in Kubrick's The shining / Jeremy Barham
- Music of the night : scoring the vampire in contemporary film / Janet K. Halfyard
- Scary movies, scary music : uses and unities of metal in the contemporary horror film / Lee Barron and Ian Inglis
- Like razors through flesh : Hellraiser/s sound design and music / Karen Collins
- Spooked by sound : the Blair witch project / Rebecca Coyle
- Popular songs and ordinary violence : exposing basic human brutality in the films of Rob Zombie / Laura Wiebe Taylor
- Terror in the outback : Wolf Creek and Australian horror cinema / Philip Hayward and Harry Minassian
- The ghostly noise of J-horror : roots and ramifications / James Wierzbicki
- Psycho-analysis : form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki
- An audiovisual foreshadowing in Psycho / Scott Murphy
- Sound and music in Hammer's vampire films / Michael Hannan
- Creative soundtrack expression : Tôru Takemitsu's score for Kwaidan / Kyoko Koizumi
- Prog rock, the horror film and sonic excess : Dario Argento, Morricone and Goblin / Tony Mitchell
- Inflamed : synthetic folk music and paganism in the island world of The wicker man / Jon Fitzgerald and Philip Hayward
- Rhythms of evil : exorcizing sound from the Exorcist / Mark Evans
- Texas chainsaws : audio effect and iconicity / Rebecca Coyle and Philip Hayward
- Incorporating monsters : music as context, character and construction in Kubrick's The shining / Jeremy Barham
- Music of the night : scoring the vampire in contemporary film / Janet K. Halfyard
- Scary movies, scary music : uses and unities of heavy metal in the contemporary horror film / Lee Barron and Ian Inglis
- "Like razors through flesh" : Hellraiser's sound design and music / Karen Collins
- Spooked by sound : The blair witch project / Rebecca Coyle
- Popular songs and ordinary violence : exposing basic human brutality in the films of Rob Zombie / Laura Wiebe Taylor
- Terror in the outback : Wolf Creek and Australian horror cinema / Philip Hayward and Harry Minassian
- The ghostly noise of J-horror : roots and ramifications / James Wierzbicki
- note: Introduction Scoring the Edge / Philip Hayward
- 1. Psycho-Analysis: Form and Function in Bernard Herrmann's Music for Hitchcock's Masterpiece / James Wierzbicki
- 2. Audiovisual Foreshadowing in Psycho / Scott Murphy
- 3. Sound and Music in Hammer's Vampire Films / Michael Hannan
- 4. Creative Soundtrack Expression: Toru Takemitsu's Score for Kwaidan / Kyoko Koizumi
- 5. Prog Rock, the Horror Film and Sonic Excess: Dario Argento, Morricone and Goblin / Tony Mitchell
- 6. Inflamed: Synthetic Folk Music and Paganism in the Island World of The Wicker Man / Jon Fitzgerald / Philip Hayward
- 7. Rhythms of Evil: Exorcising Sound from The Exorcist / Mark Evans
- 8. Texas Chainsaws: Audio Effect and Iconicity / Philip Hayward / Rebecca Coyle
- 9. Incorporating Monsters: Music as Context, Character and Construction in Kubrick's The Shining / Jeremy Barham
- 10. Music of the Night Scoring the Vampire in Contemporary Film / Janet K. Halfyard
- 11. Scary Movies, Scary Music: Uses and Unities of Heavy Metal in the Contemporary Horror Film / Ian Inglis / Lee Barron
- 12. "Like Razors through Flesh": Hellraiser's Sound Design and Music / Karen Collins
- 13. Spooked by Sound: The Blair Witch Project / Rebecca Coyle
- 14. Popular Songs and Ordinary Violence: Exposing Basic Human Brutality in the Films of Rob Zombie / Laura Wiebe Taylor
- 15. Terror in the Outback: Wolf Creek and Australian Horror Cinema / Philip Hayward / Harry Minassian
- 16. Ghostly Noise or J-Horror: Roots and Ramifications / James Wierzbicki.