The body in the reservoir : murder & sensationalism in the South /
Centered on a series of dramatic murders in nineteenth- and early twentieth-century Richmond, Virginia, The Body in the Reservoir uses these gripping stories of crime to explore the evolution of sensationalism in southern culture
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| Format: | Book |
| Language: | English |
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Chapel Hill :
University of North Carolina Press,
[2008], ©2008
Chapel Hill : c2008 Chapel Hill : ©2008 Chapel Hill : [2008] |
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| 100 | 1 | |a Trotti, Michael Ayers |0 http://viaf.org/viaf/sourceID/LC|no00030954 | |
| 100 | 1 | |a Trotti, Michael Ayers |1 http://viaf.org/viaf/9387581 | |
| 100 | 1 | |a Trotti, Michael Ayers | |
| 245 | 1 | 4 | |a The body in the reservoir : |b murder & sensationalism in the South / |c Michael Ayers Trotti |
| 260 | |a Chapel Hill : |b University of North Carolina Press, |c [2008], ©2008 | ||
| 260 | |a Chapel Hill : |b University of North Carolina Press, |c c2008 | ||
| 260 | |a Chapel Hill : |b University of North Carolina Press, |c ©2008 | ||
| 264 | 1 | |a Chapel Hill : |b University of North Carolina Press, |c [2008] | |
| 264 | 4 | |c ©2008 | |
| 300 | |a ix, 301 p. : |b ill. ; |c 24 cm | ||
| 300 | |a ix, 301 p. : |b ill. ; |c 25 cm | ||
| 300 | |a ix, 301 pages : |b illustrations ; |c 24 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. [217]-294) and index | ||
| 504 | |a Includes bibliographical references (pages [217]-294) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction -- Discovering the Body -- 1. The Origins of Virginia Crime Sensationalism -- 2. Sensational Crime Comes of Age: The Cluverius Case of 1885 -- 3. The Disenchantment of Sensational Murder -- 4. African American Sensations: Jim Crow Justice and the Richmond Planet -- 5. Images of Murder: The Visual Revolution of the Halftone -- 6. The Public Suspense Is Over -- Epilogue -- Mass Culture's Search for Disorder | |
| 505 | 0 | 0 | |t Introduction - Discovering the Body -- |g 1 |t The Origins of Virginia Crime Sensationalism -- |g 2. |t Sensational Crime Comes of Age: The Cluverius Case of 1885 -- |g 3. |t The Disenchantment of Sensational Murder -- |g 4. |t African American Sensations: Jim Crow Justice and the Richmond Planet -- |g 5. |t Images of Murder: The Visual Revolution of the Halftone -- |g 6. |t The Public Suspense Is Over -- |t Epilogue - Mass Culture's Search for Disorder. |
| 505 | 0 | 0 | |t Introduction - Discovering the Body |g 1 -- |g 1 |t The Origins of Virginia Crime Sensationalism |g 13 -- |g 2 |t Sensational Crime Comes of Age: The Cluverius Case of 1885 |g 43 -- |g 3 |t The Disenchantment of Sensational Murder |g 79 -- |g 4 |t African American Sensations: Jim Crow Justice and the Richmond Planet |g 111 -- |g 5 |t Images of Murder: The Visual Revolution of the Halftone |g 145 -- |g 6 |t The Public Suspense Is Over |g 181 -- |t Epilogue - Mass Culture's Search for Disorder |g 207 |
| 520 | |a Centered on a series of dramatic murders in nineteenth- and early twentieth-century Richmond, Virginia, The Body in the Reservoir uses these gripping stories of crime to explore the evolution of sensationalism in southern culture | ||
| 520 | 8 | |a An engaging look at the connections between culture and violence, this book gets to the heart-or perhaps the shadowy underbelly-of the sensational as the South became modern | |
| 520 | 8 | |a In Richmond, as across the nation, the embrace of modernity was accompanied by the prodigious growth of mass culture and its accelerating interest in lurid stories of crime and bloodshed. But while others have emphasized the importance of the penny press and yellow journalism on the shifting nature of the media and cultural responses to violence, Michael Trotti reveals a more gradual and nuanced story of change. In addition, Richmond's racial makeup (one-third to one-half of the population was African American) allows Trotti to challenge assumptions about how black and white media reported the sensational; the surprising discrepancies offer insight into just how differently these two communities experienced American justice | |
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