Women art critics in nineteenth-century France : vanishing acts /

Women art critics in nineteenth-century France : vanishing acts /

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Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women's limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occl...

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Bibliographic Details
Other Authors: Guentner, Wendelin Ann, 1950- (Editor, http://id.loc.gov/vocabulary/relators/edt)
Format: Book
Language:English
Published: Newark : Lanham, Md. : University of Delaware Press ; co-published with The Rowman & Littlefield Publishing Group, Inc., c2013
Newark : University of Delaware Press, [2013]
Newark : c2013
Subjects:
1800 - 1899
1800-1899
19th century
Art criticism > France > History > 19th century
Women art critics > France > History > 19th century
Art criticism
History
Women art critics
France
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Table of Contents:
  • "C.W. ... académicienne": Caroline Wuiet and the emergence of the woman art critic in postrevolutionary France / Heather Belnap Jensen
  • Amélie-Julie Candeille's critical enterprise and the creation of "Girodet" / Heather Belnap Jensen
  • Women art critics during the July Monarchy (1830-1848) / Véronique Chagnon-Burke
  • "A career true to woman's nature": constructing the woman artist in France's midcentury feminine press / Véronique Chagnon-Burke
  • Claude Vignon's Salon de 1850-1851: dialogues of art and ideology / Wendelin Guentner
  • "Dieu, une plume de femme!": Mathilde Stevens's Impressions d'une femme au salon de 1859 / Wendelin Guentner
  • "Marc" de Montifaud: the esprit critique of an esprit fort / Wendelin Guentner
  • "Tel pere-telle fille": Judith Gautier-artist, author, and art critic / Véronique Chagnon-Burke
  • Conclusion / Wendelin Guentner
  • Appendix 1: Amélie-Julie Candeille (1767-1834) / Heather Belnap Jensen
  • Appendix 2: Judith Gautier (1845-1917) , Mme Catulle Mendès, Judith Walter (pseud.), F. Chaulnes (pseud.) / Véronique Chagnon-Burke
  • Appendix 3: Marie-Amélie Chartroule de Montifaud, Madame Léon de Quivogne, Marc de Montifaud (pseud.), Paul Erasme (pseud.) / Wendelin Guentner
  • Appendix 4: Mathilde Kindt Stevens (1833-1886), Mme Arthur Stevens, Mathilde Stev*** (pseud.), Jeanne Thilda (pseud.) / Wendelin Guentner
  • Appendix 5: Claude Vignon (1828-1888) (pseud. of Noémi Cadiot, Mme A.-L. Constant, then Mme Maurice Rouvier) / Wendelin Guentner
  • Appendix 6: Caroline Wuiet, la Baronne Auffdiener (1766-1835)
  • Appendix 7: biographical intersections / Wendelin Guentner
  • "C.W. ... académicienne": Caroline Wuiet and the emergence of the woman art critic in postrevolutionary France / Heather Belnap Jensen
  • Amélie-Julie Candeille's critical enterprise and the creation of "Girodet" / Heather Belnap Jensen
  • Women art critics during the July Monarchy (1830-1848) / Véronique Chagnon-Burke
  • "A career true to woman's nature": constructing the woman artist in France's midcentury feminine press / Véronique Chagnon-Burke
  • Claude Vignon's Salon de 1850-1851: dialogues of art and ideology / Wendelin Guentner
  • "Dieu! Une plume de femme!": Mathilde Stevens's Impressions d'une femme au salon de 1859 / Wendelin Guentner
  • "Marc" de Montifaud: the "esprit critique" of an esprit fort / Wendelin Guentner
  • "Tel pére, telle fille": Judith Gautier, artist, author, and art critic / Véronique Chagnon-Burke
  • Conclusion / Wendelin Guentner
  • Appendix 1: Amélie-Julie Candeille (1767-1834) / Heather Belnap Jensen
  • Appendix 2: Judith Gautier (1845-1917) , Mme Catulle Mendès, Judith Walter (pseud.), F. Chaulnes (pseud.) / Véronique Chagnon-Burke
  • Appendix 3: Marie-Amélie Chartroule de Montifaud, Madame Léon de Quivogne, Marc de Montifaud (pseud.), Paul Erasme (pseud.) / Wendelin Guentner
  • Appendix 4: Mathilde Kindt Stevens (1833-1886), Mme Arthur Stevens, Mathilde Stev*** (pseud.), Jeanne Thilda (pseud.) / Wendelin Guentner
  • Appendix 5: Claude Vignon (1828-1888) (pseud. of Noémi Cadiot, Mme A.-L. Constant, then Mme Maurice Rouvier) / Wendelin Guentner
  • Appendix 6: Caroline Wuiet, la Baronne Auffdiener (1766-1835) / Heather Belnap Jensen-- Appendix 7: biographical intersections / Wendelin Guentner
  • "C.W. ... académicienne": Caroline Wuiet and the emergence of the woman art critic in postrevolutionary France / Heather Belnap Jensen
  • Amélie-Julie Candeille's critical enterprise and the creation of "Girodet" / Heather Belnap Jensen
  • Women art critics during the July Monarchy (1830-1848) / Véronique Chagnon-Burke
  • "A career true to woman's nature": constructing the woman artist in France's midcentury feminine press / Véronique Chagnon-Burke
  • Claude Vignon's Salon de 1850-1851: dialogues of art and ideology / Wendelin Guentner
  • "Dieu, une plume de femme!": Mathilde Stevens's Impressions d'une femme au salon de 1859 / Wendelin Guentner
  • "Marc" de Montifaud: the esprit critique of an esprit fort / Wendelin Guentner
  • "Tel pere-telle fille": Judith Gautier-artist, author, and art critic / Véronique Chagnon-Burke
  • Conclusion / Wendelin Guentner
  • Appendix 1: Amélie-Julie Candeille (1767-1834) / Heather Belnap Jensen
  • Appendix 2: Judith Gautier (1845-1917) , Mme Catulle Mendès, Judith Walter (pseud.), F. Chaulnes (pseud.) / Véronique Chagnon-Burke
  • Appendix 3: Marie-Amélie Chartroule de Montifaud, Madame Léon de Quivogne, Marc de Montifaud (pseud.), Paul Erasme (pseud.) / Wendelin Guentner
  • Appendix 4: Mathilde Kindt Stevens (1833-1886), Mme Arthur Stevens, Mathilde Stev*** (pseud.), Jeanne Thilda (pseud.) / Wendelin Guentner
  • Appendix 5: Claude Vignon (1828-1888) (pseud. of Noémi Cadiot, Mme A.-L. Constant, then Mme Maurice Rouvier) / Wendelin Guentner
  • Appendix 6: Caroline Wuiet, la Baronne Auffdiener (1766-1835)
  • Appendix 7: biographical intersections / Wendelin Guentner
  • "C.W. ... académicienne": Caroline Wuiet and the emergence of the woman art critic in postrevolutionary France / Heather Belnap Jensen
  • Amélie-Julie Candeille's critical enterprise and the creation of "Girodet" / Heather Belnap Jensen
  • Women art critics during the July Monarchy (1830-1848) / Véronique Chagnon-Burke
  • "A career true to woman's nature": constructing the woman artist in France's midcentury feminine press / Véronique Chagnon-Burke
  • Claude Vignon's Salon de 1850-1851: dialogues of art and ideology / Wendelin Guentner
  • "Dieu, une plume de femme!": Mathilde Stevens's Impressions d'une femme au salon de 1859 / Wendelin Guentner
  • "Marc" de Montifaud: the esprit critique of an esprit fort / Wendelin Guentner
  • "Tel pere-telle fille": Judith Gautier-artist, author, and art critic / Véronique Chagnon-Burke
  • Conclusion / Wendelin Guentner
  • Appendix 1: Amélie-Julie Candeille (1767-1834) / Heather Belnap Jensen
  • Appendix 2: Judith Gautier (1845-1917) , Mme Catulle Mendès, Judith Walter (pseud.), F. Chaulnes (pseud.) / Véronique Chagnon-Burke
  • Appendix 3: Marie-Amélie Chartroule de Montifaud, Madame Léon de Quivogne, Marc de Montifaud (pseud.), Paul Erasme (pseud.) / Wendelin Guentner
  • Appendix 4: Mathilde Kindt Stevens (1833-1886), Mme Arthur Stevens, Mathilde Stev*** (pseud.), Jeanne Thilda (pseud.) / Wendelin Guentner
  • Appendix 5: Claude Vignon (1828-1888) (pseud. of Noémi Cadiot, Mme A.-L. Constant, then Mme Maurice Rouvier) / Wendelin Guentner
  • Appendix 6: Caroline Wuiet, la Baronne Auffdiener (1766-1835)
  • Appendix 7: biographical intersections / Wendelin Guentner
  • 1 "C. W.... académicienne": Caroline Wuiet and the Emergence of the Woman Art Critic in Postrevolutionary France / Heather Belnap Jensen Jensen, Heather Belnap 53
  • Wuiet and Authorial Voice 55
  • What a Woman Wants: Female Spectatorship 62
  • Notes 67
  • 2 Amélie-Julie Candeille's Critical Enterprise and the Creation of "Girodet" / Heather Belnap Jensen Jensen, Heather Belnap 73
  • Epistolary Art Criticism in Women's Writings 75
  • Candeille as Corresponding Critic 77
  • Managing Girodet 83
  • Fashioning Girodet en publique 85
  • Notes 89
  • 3 Women Art Critics during the July Monarchy (1830-1848) / Véronique Chagnon-Burke Chagnon-Burke, Véronique 93
  • Art Criticism and the Paris Salon 96
  • Women Art Critics and the Parisian Cultural World 98
  • Women as Spectators 102
  • Beyond Gender: Issues of Class and Education 107
  • Further Questions 111
  • Notes 112
  • 4 "A Career True to Woman's Nature": Constructing the Woman Artist in France's Midcentury Feminine Press / Véronique Chagnon-Burke Chagnon-Burke, Véronique 117
  • Women Artists: Class and Education 118
  • The Mission of Women Art Critics 122
  • The British Connection 123
  • Gender or Class? 124
  • The Gender of Genius and the Artistic Genres 126
  • Women Art Critics and the (Limited) Contours of an Artistic Vision 129
  • Notes 134
  • 5 Claude Vignon's Salon de 1850-51: Dialogues of Art and Ideology / Wendelin Guentner Guentner, Wendelin 141
  • The Art Critic and Her Readers 142
  • Historical Context and Political Ideologies 146
  • Spiritual Ideologies 157
  • The Author behind the Critic 162
  • Notes 165
  • 6 "Dieu! Une plume de femme!": Mathilde Stevens's Impressions d 'une femme au Salon de 1859 / Wendelin Guentner Guentner, Wendelin 173
  • A Rhetoric of Sincerity 174
  • To Feel or to Think: That Is the Question 178
  • Playing Favorites: Critics and Artists at the 1859 Salon 185
  • A Voice of Her Own 194
  • Notes 198
  • 7 "Marc" de Montifaud: The "esprit critique" of an esprit fort / Wendelin Guentner Guentner, Wendelin 203
  • Envisioning History Painting 207
  • Genre Painting: History Writ Small 211
  • Portraits of Degeneration 213
  • The Subjective Landscape 216
  • Corot, Pagan Poet 219
  • Notes 230
  • 8 "Tel père, telle fille": Judith Gautier, Artist, Author, and Art Critic / Véronique Chagnon-Burke Chagnon-Burke, Véronique 237
  • Judith Gautier, Artist, and the French Art World 238
  • Judith Gautier, Author, and the Far East 240
  • Judith Gautier, Art Critic 242
  • Notes 254
  • Women Writing Art
  • Reappearing Acts
  • Notes
  • Ideology of the Two Spheres
  • Education of Girls
  • Menace of the Bas-Bleus
  • Salon and Its Art Critics
  • Golden Age of Art Criticism: Society, Economics, and Culture
  • Art Criticism as a Literary Genre: Denis Diderot
  • Literary Craft of Art Criticism
  • Notes
  • 1 "C. W.... academicienne": Caroline Wuiet and the Emergence of the Woman Art Critic in Postrevolutionary France / Heather Belnap Jensen
  • Wuiet and Authorial Voice
  • What a Woman Wants: Female Spectatorship
  • Notes
  • 2. Amelie-Julie Candeille's Critical Enterprise and the Creation of "Girodet" / Heather Belnap Jensen
  • Epistolary Art Criticism in Women's Writings
  • Candeille as Corresponding Critic
  • Managing Girodet
  • Fashioning Girodet en publique
  • Notes
  • 3. Women Art Critics during the July Monarchy (1830-1848) / Veronique Chagnon-Burke
  • Art Criticism and the Paris Salon
  • Women Art Critics and the Parisian Cultural World
  • Women as Spectators
  • Beyond Gender: Issues of Class and Education
  • Further Questions
  • Notes
  • 4. "A Career True to Woman's Nature": Constructing the Woman Artist in France's Midcentury Feminine Press / Veronique Chagnon-Burke
  • Women Artists: Class and Education
  • Mission of Women Art Critics
  • British Connection
  • Gender or Class?
  • Gender of Genius and the Artistic Genres
  • Women Art Critics and the (Limited) Contours of an Artistic Vision
  • Notes
  • 5. Claude Vignon's Salon de 1850-51: Dialogues of Art and Ideology / Wendelin Guentner
  • Art Critic and Her Readers
  • Historical Context and Political Ideologies
  • Spiritual Ideologies
  • Author behind the Critic
  • Notes
  • 6. "Dieu! Une plume de femme!": Mathilde Stevens's Impressions d'une femme au Salon de 1859 / Wendelin Guentner
  • Rhetoric of Sincerity
  • To Feel or to Think: That Is the Question
  • Playing Favorites: Critics and Artists at the 1859 Salon
  • Voice of Her Own
  • Notes
  • 7. "Marc" de Montifaud: The "esprit critique" of an esprit fort / Wendelin Guentner
  • Envisioning History Painting
  • Genre Painting: History Writ Small
  • Portraits of Degeneration
  • Subjective Landscape
  • Corot, Pagan Poet
  • Notes
  • 8. "Tel pere, telle fille": Judith Gautier, Artist, Author, and Art Critic / Veronique Chagnon-Burke
  • Judith Gautier, Artist, and the French Art World
  • Judith Gautier, Author, and the Far East
  • Judith Gautier, Art Critic
  • Notes
  • Conclusion
  • Wendelin Guentner
  • Ideology of the Two Spheres, Revisited
  • Vanishing Genre?
  • Vanishing Gender?
  • Final Act
  • Encores
  • Notes
  • Appendix 1 Amelie-Julie Candeille (1767-1834) / Heather Belnap Jensen
  • Notes
  • Appendix 2 Judith Gautier (1845-1917), Mme Catulle Mendes, Judith Walter (pseud.), F. Chaulnes (pseud) / Veronique Chagnon-Burke
  • Notes
  • Appendix 3 Marie-Amelie Chartroule de Montifaud, Madame Leon de Quivogne, Marc de Montifaud (pseud.), Paul Erasme (pseud) / Wendelin Guentner
  • Notes
  • Appendix 4 Mathilde Kindt Stevens (1833-1886), Mme Arthur Stevens Mathilde Stev (pseud.), Jeanne Thilda (pseud) / Wendelin Guentner
  • Notes
  • Appendix 5 Claude Vignon (1828-1888) (pseud. of Noemi Cadiot, Mme A.-L. Constant, then Mme Maurice Rouvier) / Wendelin Guentner
  • Notes
  • Appendix 6 Caroline Wuiet, la Baronne Auffdiener (1766-1835) / Heather Belnap Jensen
  • Notes
  • Appendix 7 Biographical Intersections / Wendelin Guentner.

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