Sources on art technology : back to basics : proceedings of the sixth symposium of the ICOM-CC Working Group for Art Technological Source Research, held at the Rijksmuseum, Amsterdam, 16-17 June 2014 /
A collection of papers from the 2014 biennial ATSR symposium investigating the uses of source material for historical research and the conservation of art today
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| Format: | Book |
| Language: | English |
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London : Amsterdam :
Archetype Publications ; In association with Rijks Museum,
2016
London : Archetype Publications, 2016 |
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Table of Contents:
- The painter's workshop as seen by Stradanus / Jan Piet Filedt Kok
- Back to basics: what do we do with art technological sources once we have found them? / William Whitney
- Back to the text: artists' recipe books as historical sources for research into art technology / Sylvie Neven
- Artists' treatises and recipe books: a discussion of authors, readers and users / Cristiana Pasqualetti
- Light-sensitive pigments discussed in early sources on photochemical imaging processes / Albrecht Pohlmann
- Eilido colours: sources relating to the introduction of coal-tar colours and their controversial reception in the early 20th century / Christoph Steuer
- Making paint in the 20th century: the Talens Archive / Bert Klein Ovink
- Recipes for deceit: documentary sources for the production of paintings forgeries from 1300 to 1900 / Jilleen Nadolny
- What's wrong with Thompson's Cennini? / Mark Clarke
- Compendium de coloribus collectum: a compendium of recipes in Palatine Ms. 981 of the Biblioteca Nazionale in Florence / Federica Ferla
- Pictoria, sculptoria et quae subaltenarum artium: is the de Mayerne manuscript unified or heterogeneous? / Cecile Parmentier
- Breaking the mould: a history of sand mould casting in Western Europe based on early written sources / Tonny P.C. Beentjes
- Interpreting lac dye in medieval written sources: new knowledge from the reconstruction of recipes relating to illuminations in Portuguese manuscripts / Maria Joao Melo
- 'To keep the colours fresh, alive and bright': the influence of preparatory layers on the durability of oil painting, according to North West European recipe books 1550-1900 / Maartje Stols-Witlox
- The Jesuit contribution to written art technological sources in the 17th and 18th centuries / Corinna Gramatke
- Liotard, Stoupan and the colours available to 18th-century European artists / Leila Sauvage
- Forming or transformation: the technology of horn working in sources, in practice and compared to objects / Christoph Krekel
- Shorter papers from poster presentations
- Unpublished 17th-century documents relevant to the production of artists' pigments / Arie Wallert
- De vitri coloribus: a treatise on glass or pottery working and colouring / Paola Travaglio
- Documentation of European recipes for glue lining paste / Rita Gil
- Zinc vitriol in late medieval oil painting: a preliminary study using reconstructions / Arie Wallert
- From collaboration to competition: the introduction of Heinrich Ludwig's petroleum oil paints / Kathrin Kinseher
- The use of documentary sources for identifying suppliers of painting materials in 19th-century Portugal / Rita Macedo
- Reconsidering the use of copper resinate, from painting on canvas and panel to painting on glass and metal / Claudio Seccaroni
- Winsor & Newton's 19th-century manufacture of yellow chromate-based pigments / Maria Joao Melo
- Painting techniques of Jean Cousin the Elder and Younger in the light of a French manuscript / Estelle Itie
- Soehnee Freres retouching varnish and American painters / Gay Myers
- The trade in chalk as an artists' material in early modern Europe / Marieken van den Bichelaer
- The Royal Danish Colour Chamber and the 17th-century trade in artists' materials / Anne Haack. Christensen
- (Re)constructed harmony: the replication of a Renaissance viol aided by historical sources / Wolfgang Baatz
- Medieval gilding / Alison Stock