Sound media : from live journalism to music recording /
Accompanying sound disc contains ... "thirty-six examples from broadcasting and music recording in Europe and the USA, from Edith Piaf to Sara Cox."--Front free end paper
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| Format: | Book |
| Language: | English |
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London ; New York :
Routledge,
2008
New York : c2008 London ; New York : 2008 |
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Table of Contents:
- Theoretical introduction to sound media
- The present time
- The acoustic computer : nervous experiments with sound media
- Synthetic music : digital recording in great detail
- The mobile public : journalism for urban navigators
- Phone radio : personality journalism in voice alone
- Loudspeaker living : pop music is everywhere
- Backwards history
- Tape control : A revolution in music recording 1970s--1950s
- The acoustic nation : live journalism 1960s--1930s
- Microphone moods : music recording 1940s--1930s
- Atmospheric contact : experiments in broadcasting 1920s--1900s ; The repeating machine : music recording 1920s--1870s
- 1 Theoretical introduction to sound media
- Pt. I. The present time
- 2. The acoustic computer: Nervous experiments with sound media
- 3. Synthetic music: Digital recording in great detail
- 4. The mobile public: Journalism for urban navigators
- 5. Phone radio: Personality journalism in voice alone
- 6. Loudspeaker living: Pop music is everywhere
- Pt. II. Backwards history
- 7. Tape control: A revolution in recorded music, 1970s-1950s
- 8. The acoustic nation: Live journalism, 1960s-1930s
- 9. Microphone moods: Music recording, 1940s-1930s
- 10. Atmospheric contact: Experiments in broadcasting, 1920s-1900s
- 11. The repeating machine: Music recording, 1920s-1870s.
- 1 Theoretical introduction to sound media
- Pt. I. present time
- 2. acoustic computer: Nervous experiments with sound media
- 3. Synthetic music: Digital recording in great detail
- 4. mobile public: Journalism for urban navigators
- 5. Phone radio: Personality journalism in voice alone
- 6. Loudspeaker living: Pop music is everywhere
- Pt. II. Backwards history
- 7. Tape control: A revolution in recorded music, 1970s-1950s
- 8. acoustic nation: Live journalism, 1960s-1930s
- 9. Microphone moods: Music recording, 1940s-1930s
- 10. Atmospheric contact: Experiments in broadcasting, 1920s-1900s
- 11. repeating machine: Music recording, 1920s-1870s.
- 1 Theoretical introduction to sound media 1
- 1 Sound and listening 2
- 2 Medium theory 9
- 3 Backwards History 16
- 4 Auditory rhetoric 19
- Part I The present time 31
- 2 The acoustic computer: Nervous experiments with sound media 33
- 3 Synthetic music: Digital recording in great detail 51
- 4 The mobile public: Journalism for urban navigators 66
- 5 Phone radio: Personality journalism in voice alone 81
- 6 Loudspeaker living: Pop music is everywhere 97
- Part II Backwards history III
- 7 Tape control: A revolution in recorded music, 1970s-1950s 113
- 8 The acoustic nation: Live journalism, 1960s-1930s 129
- 9 Microphone moods: Music recording, 1940s-1930s 152
- 10 Atmospheric contact: Experiments in broadcasting, 1920s-1900s 166
- 11 The repeating machine: Music recording, 1920s-1870s 181