Radical planes? 9/11 and patterns of continuity /

Radical Planes? 9/11 and Patterns of Continuity explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm th...

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Bibliographic Details
Other Authors: Däwes, Birgit (Editor), Däwes, Birgit (Editor), Mohr, Dunja M., 1968- (Editor)
Format: Book
Language:English
Published: Leiden ; Boston : Brill Rodopi, [2016]
Leiden ; Boston : Brill, 2016
Series:Costerus ; 218
Costerus ; new ser., v. 218
Costerus new ser., v. 218
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245 0 0 |a Radical planes? 9/11 and patterns of continuity /  |c edited by Dunja M. Mohr, Birgit Däwes 
246 3 |a Radical planes? Nine Eleven and patterns of continuity 
246 3 |a Radical planes? September eleventh and patterns of continuity 
264 1 |a Leiden ;  |a Boston :  |b Brill Rodopi,  |c [2016] 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c 2016 
264 4 |c ©2016 
300 |a 224 pages ;  |c 24 cm 
300 |a x, 224 pages :  |b color illustrations ;  |c 25 cm 
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490 1 |a Costerus 
504 |a Includes bibliographical references and index 
505 0 0 |g 1  |t Transnational Dimensions of 9/11: An Introduction /   |r Dunja M. Mohr  |g Mohr, Dunja M., Birgit Dawes  |g Dawes, Birgit  |g 1 --  |g Part 1  |t Positionings of 9/11 --  |g 2  |t Public Culture after 9/11 and Peter Josyph's Liberty Street /   |r David Holloway  |g Holloway, David  |g 21 --  |g 3  |t The Coincidence of Historical Fiction: "Code-Orange" Reading after 9/11 /   |r Charles Lewis  |g Lewis, Charles  |g 38 --  |g 4  |t Philosophical and Literary Dialogues in a Time of Terror /   |r Katharina Rennhak  |g Rennhak, Katharina  |g 56 --  |g Part 2  |t 9/11 and Patterns of Continuity --  |g 5  |t Terror as Catalyst? Negotiations of Silences, Perspectives, and Complicities in Ian McEwan's Saturday, Ali Smith's The Accidental, and Mohsin Hamid's The Reluctant Fundamentalist /   |r Dunja M. Mohr  |g Mohr, Dunja M  |g 98 --  |g 6  |t Letters to Osama and Terrorist Mindsets: Coming to Terms with 9/11 in Chris Cleave's Incendiary and John Updike's Terrorist /   |r Dagmar Dreyer  |g Dreyer, Dagmar  |g 100 --  |g 7  |t Homeland Security and Transmigration in Richard Powers's The Echo Maker /   |r Anna Thiemann  |g Thiemann, Anna  |g 117 --  |g 8  |t Male Domesticity and the 9/11-Novel: Jay McInerney's The GoodLife /   |r Till Werkmeister  |g Werkmeister, Till  |g 135 --  |g Part 3  |t 9/11, the Performative, and the Visual --  |g 9  |t "This is My Country, Too, You Know!" Intercultural Encounters in Post-9/11 Arab American Drama /   |r Sarah Christine Giese  |g Giese, Sarah Christine  |g 165 --  |g 10  |t "You Ever Think about the Term 'Homeland Security'?" Todd Field's Adaptation of Tom Perrotta's Little Children /   |r Anna Flügge  |g Flügge, Anna  |g 189 --  |g 11  |t 9/11 as Memento Mori: Still-Life and Image in Don Delillo's Ekphrastic Fiction /   |r Devin P. Zuber  |g Zuber, Devin P.  |g 200. 
520 8 |a Radical Planes? 9/11 and Patterns of Continuity explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed "everything," and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity? 
520 8 |a Radical Planes? 9/11 and Patterns of Continuity' explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed 'everything,' and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity? 
596 |a 1 
647 7 |a September 11 Terrorist Attacks  |d (2001)  |2 fast  |0 http://id.worldcat.org/fast/1112794 
648 7 |a 2000-2099  |2 fast 
650 0 |a American fiction  |y 21st century  |x History and criticism 
650 0 |a Collective memory and literature  |z United States 
650 0 |a Narration (Rhetoric) 
650 0 |a September 11 Terrorist Attacks, 2001  |x Influence 
650 0 |a September 11 Terrorist Attacks, 2001, in art 
650 0 |a September 11 Terrorist Attacks, 2001, in literature 
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650 7 |a September 11 Terrorist Attacks (2001) in literature  |2 fast 
655 7 |a Criticism, interpretation, etc  |2 fast  |0 http://id.worldcat.org/fast/1411635 
700 1 |a Däwes, Birgit,  |e editor 
700 1 |a Däwes, Birgit,  |e editor  |0 http://viaf.org/viaf/34707664 
700 1 |a Däwes, Birgit,  |e editor 
700 1 |a Mohr, Dunja M.,  |d 1968-  |e editor  |0 http://viaf.org/viaf/119319282 
700 1 |a Mohr, Dunja M.,  |d 1968-  |e editor 
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