Dreaming in books : the making of the bibliographic imagination in the Romantic age /
Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern c...
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Chicago :
The University of Chicago Press,
[2009], ©2009
Chicago : University of Chicago Press, c2009 Chicago : ©2009 Chicago : 2009 Chicago : 2009 |
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Table of Contents:
- Introduction Bibliographic Subjects
- 1. Networking
- Fortresses of the Spirit
- Rethinking the Book of Everything
- Novel as Network: J. W. Goethe's Wilhelm Meister's Travels
- Problem of the Where
- Ladies' Pocket-Book and the Excerpt
- Ausgabe letzter Hand and a Poetics of the Version
- Cartography and the Novel
- Anatomy of the Book: The Work of Art as Technological Praparat
- Coda: Faust and the Future
- 2. Copying
- Making Classics
- Combinatory Spirit and the Collected Edition
- Producing Corporeal Integrity (Wieland, Byron, Rousseau)
- Reprinting, Reproducibility, and the Novella Collection
- E.T.A. Hoffmann's The Setapion Brothers and the Crisis of Originality
- "The Uncanny Guest" and the Poetics of the Same
- Plot of the Returning Husband
- Magnetic Doppelganger
- Whisper, Noise, and the Acoustics of Relocatability
- Collectivity of the Copy
- Again
- 3. Processing
- Printing the Past (Intermediality and the Book I)
- Editor's Rise and Fall
- Immaculate Reception: From Erneuung to Critical Edition (Tieck, Hagen, Lachmann)
- Walter Scott, the Ballad, and the Book
- Borders of Books: Minstrelsy of the Scottish Border
- Narrating Editing: The Historical Novel and the Tales of My Landlord
- "By Heart" v. "From the Heart" in The Heart of Mid-Lothian
- Producing Singularity
- 4. Sharing
- Assorted Books:The Romantic Miscellany (Almanacs, Taschenbucher, Gift-Books)
- Common Right v. Copyright
- Book-Keeping and the Inscription (Intermediality and the Book II)
- Hollow Texts, Textual Hollows
- Problem of the "Of": Washington Irving's "An Unwritten Drama of Lord Byron"
- Sharing Sharing: Poe, Hawthorne, and Mrs. Chamberlain's "Jottings from an Old Journal"
- 5. Overhearing
- Problem of Open Source
- "Le commerce intellectuel"
- Women, Translation, Transnation
- Overheard in Translation: Sophie Mereau, La Princesse de Cleves and the Loose Confession
- Maria de Zayas's Novelas amorosas y ejemplares and the Betrayal of Writing
- Boccaccio, Privacy,and Partiality; Fiammetta and Decameron 10.3
- 6. Adapting
- Romantic Lines
- Afterimages: Goethe and the Lily
- Stems, Spirals, and the New Scientific Graphics
- Overwriting: Balzac between Script and Scribble
- Parallels, or Stendhal and the Line of the Self
- Coda: Sebald's Bibliographic Vanishing Points
- In Place of an Afterword: Next to the Book
- Lection/Selection
- "Book was there, it was there."
- Besides:Toward a Translational Humanism
- Beckett's "Eff"
- Introduction Bibliographic Subjects 1
- "Hypothesis: All is Leaf" 1
- Books: Past, Present, and Future 4
- Is Literary History Book History? 8
- Bibliographic Romanticism 12
- Romanticizing Books 13
- 1 Networking 19
- Fortresses of the Spirit 19
- Rethinking the Book of Everything 21
- The Novel as Network: J. W. Goethe's Wilhelm Meister's Travels 22
- The Problem of the Where 26
- The Ladies' Pocket-Book and the Excerpt 27
- The Ausgabe letzter Hand and a Poetics of the Version 31
- Cartography and the Novel 36
- The Anatomy of the Book: The Work of Art as Technological Praparat 45
- Coda: Faust and the Future 51
- 2 Copying 53
- Making Classics 53
- The Combinatory Spirit and the Collected Edition 55
- Producing Corporeal Integrity (Wieland, Byron, Rousseau) 58
- Reprinting, Reproducibility, and the Novella Collection 64
- E. T. A. Hoffmann's The Serapion Brothers and the Crisis of Originality 67
- "The Uncanny Guest" and the Poetics of the Same 70
- The Plot of the Returning Husband 72
- The Magnetic Doppelganger 74
- The Whisper, Noise, and the Acoustics of Relocatability 76
- The Collectivity of the Copy 79
- Again 81
- 3 Processing 85
- Printing the Past (Intermediality and the Book I) 85
- The Editor's Rise and Fall 87
- Immaculate Reception: From Erneuung to Critical Edition (Tieck, Hagen, Lachmann) 89
- Walter Scott, the Ballad, and the Book 97
- The Borders of Books: Minstrelsy of the Scottish Border 101
- Narrating Editing: The Historical Novel and the Tales of My Landlord 109
- "By Heart" v. "From the Heart" in The Heart of Mid-Lothian 113
- Producing Singularity 119
- 4 Sharing 121
- Assorted Books: The Romantic Miscellany (Almanacs, Taschenbucher, Gift-Books) 121
- Common Right v. Copyright 125
- Book-Keeping and the Inscription (Intermediality and the Book II) 128
- Hollow Texts, Textual Hollows 138
- The Problem of the "Of": Washington Irving's "An Unwritten Drama of Lord Byron" 143
- Sharing Sharing: Poe, Hawthorne, and Mrs. Chamberlain's "Jottings from an Old Journal" 148
- 5 Overhearing 153
- The Problem of Open Source 153
- "Le commerce intellectuel" 160
- Women, Translation, Transnation 163
- Overheard in Translation: Sophie Mereau, La Princesse de Cleves and the Loose Confession 168
- Maria de Zayas's Novelas amorosas y ejemplares and the Betrayal of Writing 173
- Boccaccio, Privacy, and Partiality: Fiammetta and Decameron 10.3 177
- 6 Adapting 183
- Romantic Lines 183
- Afterimages: Goethe and the Lily 189
- Stems, Spirals, and the New Scientific Graphics 202
- Overwriting: Balzac between Script and Scribble 210
- Parallels, or Stendhal and the Line of the Self 222
- Coda: Sebald's Bibliographic Vanishing Points 230