Hearing the movies : music and sound in film history /
Features: * Detailed sample analyses with timings describe the function of sound and music in individual scenes * Extended exercises suggest tools for basic analysis of the soundtrack * Interludes at the ends of Parts I and II offer guidelines for writing about films in terms of their sound and musi...
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| Main Authors: | , , |
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| Format: | Book |
| Language: | English |
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New York :
Oxford University Press,
2010
New York : 2010 |
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Table of Contents:
- The sound track and film narrative : basic terms and concepts. The sound track and narrative ; The musicality of the sound track : concepts and terminology ; Music, sound and the space of narrative : concepts and terminology ; Music, sound and time ; Writing about film sound : analysis and description
- Music, film form, and film style. Music in film form ; Music in main-title and end-credit sequences ; Music in performance and montage scenes ; Film style and the sound track ; Music in character and action scenes ; Writing about film music : interpretation
- The sound track : a technological history. Music and sound in the silent era (1895-1929) ; The transition to sound film (1926-1932) ; Music and the sound track in the classical studio era ; The stereo sound track and the post-classical era (1950-1975) ; The new Hollywood, Dolby stereo, and the emergence of sound design (1975-2000) ; Music and film sound today
- Machine generated contents note: Ch. 1 The Sound Track and Narrative
- Ch. 2 The Musicality of the Sound Track: Concepts and Terminology
- Ch. 3 Music, Sound, and the Space of Narrative: Concepts and Terminology
- Ch. 4 Music, Sound, and Time
- Interlude Writing About Film Sound: Analysis and Description
- Ch. 5 Music in Film Form
- Ch. 6 Music in Main-Title and End-Credit Sequences
- Ch. 7 Music in Performance and Montage Scenes
- Ch. 8 Film Style and the Sound Track
- Ch. 9 Music in Character and Action Scenes
- Interlude. Writing About Film Music: Interpretation
- Ch. 10 Music and Sound in the Silent Era (1895-1929)
- Ch. 11 The Transition to Sound Film (1926-1932)
- Ch. 12 Music and the Sound Track in the Classical Studio Era
- Ch. 13 The Stereo Sound Track and the Post-Classical Era (1950-1975)
- Ch. 14 The New Hollywood, Dolby Stereo, and the Emergence of Sound Design (1975-2000)
- Ch. 15 Music and Film Sound Today.
- Ch. 1 Sound Track and Narrative
- Ch. 2 Musicality of the Sound Track: Concepts and Terminology
- Ch. 3 Music, Sound, and the Space of Narrative: Concepts and Terminology
- Ch. 4 Music, Sound, and Time
- Interlude Writing About Film Sound: Analysis and Description
- Ch. 5 Music in Film Form
- Ch. 6 Music in Main-Title and End-Credit Sequences
- Ch. 7 Music in Performance and Montage Scenes
- Ch. 8 Film Style and the Sound Track
- Ch. 9 Music in Character and Action Scenes
- Interlude. Writing About Film Music: Interpretation
- Ch. 10 Music and Sound in the Silent Era (1895-1929)
- Ch. 11 Transition to Sound Film (1926-1932)
- Ch. 12 Music and the Sound Track in the Classical Studio Era
- Ch. 13 Stereo Sound Track and the Post-Classical Era (1950-1975)
- Ch. 14 New Hollywood, Dolby Stereo, and the Emergence of Sound Design (1975-2000)
- Ch. 15 Music and Film Sound Today.