Music in the collective experience in sixteenth-century Milan /
Renaissance music, like its sister arts, was most often experienced collectively. While it was possible to read Renaissance polyphony silently from a music manuscript or print, improvise alone, or perform as a soloist, the very practical nature of Renaissance music defied individualism. The reading...
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Format: | Book |
Language: | English |
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London :
Routledge,
2016
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